教师作为音乐与文化遗产回流的代理人

Patricia Shehan Campbell, J. Christopher Roberts
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引用次数: 1

摘要

随着从档案中遣返音乐的运动愈演愈烈,如何有效地将音乐传播给原籍文化中的人们成为一个紧迫的问题。本章认为,K-12教师有一个独特的能力,重新介绍档案音乐,通过三个主要途径。在“孩子们的亲密儿歌”中,老师们设计的课程包含了来自他们家庭文化的儿童音乐的现场录音,使音乐以儿童为中心(也以文化为中心)。在“来自远方的儿歌”中,课程包括存档的儿童音乐,这些音乐不是来自学生的家庭文化;这些课程可以突出儿童音乐在不同文化之间的相似性。在“成人文化遗产音乐”中,教师使用成人在原文化中的音乐体验录音。因此,儿童的音乐没有被代表,但成人的音乐遗产被传播。提供了这些遣返教学方法的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Teachers as Agents of the Repatriation of Music and Cultural Heritage
As the movement to repatriate music from archives gathers steam, the question of how to effectively disseminate the music to people in the culture of origin becomes a pressing issue. This chapter argues that K–12 teachers have a distinctive ability to reintroduce archival music, through three major approaches. In “close-by child-songs by children,” teachers design lessons that incorporate field recordings of children’s music from their home culture, making the music child-centered (and culture-centered). In “child-songs from further afield,” lessons include archived children’s music that is not from the home cultures of the students; such lessons can highlight the similarities across cultures of children’s music. In “adult cultural heritage music,” teachers use the recordings of adults’ musicking experiences in the culture of origin. As such, the music of children is not represented, but the adult musical heritage is disseminated. Examples of these pedagogical approaches to repatriation are provided.
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