{"title":"西班牙电影的轨迹、周期和观点(1892 - 1998),以及:后ansicion电影中的想象和人物,jose Luis sanchez Noriega编辑(评论)","authors":"David García-Reyes","doi":"10.1353/HCS.2020.0022","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"153 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Trayectorias, ciclos y miradas del cine español (1892–1998), and: Imaginarios y figuras en el cine de la postransición ed. por José Luis Sánchez Noriega (review)\",\"authors\":\"David García-Reyes\",\"doi\":\"10.1353/HCS.2020.0022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":366492,\"journal\":{\"name\":\"Arizona Journal of Hispanic Cultural Studies\",\"volume\":\"153 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arizona Journal of Hispanic Cultural Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/HCS.2020.0022\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arizona Journal of Hispanic Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/HCS.2020.0022","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Trayectorias, ciclos y miradas del cine español (1892–1998), and: Imaginarios y figuras en el cine de la postransición ed. por José Luis Sánchez Noriega (review)