想象与猜想

R. Pearson
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引用次数: 0

摘要

本章讨论波德莱尔关于戈蒂埃和雨果的著作中猜想的重要性。它展示了波德莱尔与爱伦坡的不同之处,他认为美不是“对坟墓之外的荣耀的狂喜的预见”,而是对此时此地的神秘的一瞥。回想起坡叙事小说的“猜想主义”,波德莱尔的猜想诗学更多地涉及到他在坡的诗歌中识别的清晰和神秘的结合,也在戈蒂埃的诗歌中。对于波德莱尔来说,忧郁在戈蒂埃的作品中无处不在,但他的语言想象力的安慰力量和完美定义一个吸引人猜测的世界的能力减轻了忧郁。在他1861年关于雨果·波德莱尔的一篇文章中,他赞扬了一种类似的猜测诗学,他拒绝了预言的诗人立法者,赞美了神秘的诗人,而不是拥有所有答案的先知,而是鼓励我们寻求答案的诗人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Imagination and Conjecture
This chapter discusses the importance attributed to conjecture in Baudelaire’s writings on Théophile Gautier and Victor Hugo. It shows how Baudelaire diverges from Poe in seeing beauty not as ‘an ecstatic prescience of the glories beyond the grave’ but as a glimpse of mysteries in the here and now. Recalling the ‘conjecturisme’ of Poe’s narrative fiction, Baudelaire’s poetics of conjecture nevertheless relates more to the combination of clarity and mysteriousness that he identifies in Poe’s poetry, as also in Gautier’s. For Baudelaire, melancholy is omnipresent in Gautier’s work but mitigated by the consoling power of his verbal imagination and an ability to present in perfect definition a world inviting conjecture. In his 1861 essay on Hugo Baudelaire commends a similar poetics of conjecture, rejecting the portentous poet-lawgiver and praising the poet of mystery, not the prophet who has all the answers but the poet who prompts us to seek them.
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