谷崎早期作品对江户川兰坡小说的影响&兼论《Konjiki no shi》与《panoramatichi kidan》之比较

Luisa Bienati
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引用次数: 1

摘要

江户川兰坡(1894-1965)从1923年出道开始,就承认谷崎俊一的影响,并经常提及他的作品。谷崎在1911年至1927年间发表了几篇以短篇小说为特色的短篇小说,然而两位作者之间的联系不仅仅在于他们对叙事体裁的选择。谷崎是埃德加·爱伦·坡的崇拜者,并翻译了他的许多小说,包括《阿恩海姆的领地》。《兰坡》也明显受到了爱伦·坡的小说《阿恩海姆的领地》和《兰多的小屋》的启发,这一点从《全景》的情节和描述中可以看出。因此,我调查的目的是研究从坡的《阿恩海姆的领地》到谷崎的《Konjiki no shi》,从坡和谷崎到兰坡的《全景》的路径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Influence of Tanizaki’s Early Works on Edogawa Ranpo’s Novels A Comparison between Konjiki no shi and Panoramatō kidan
From his debut in 1923, Edogawa Ranpo (1894-1965) acknowledged the influence of Tanizaki Jun’ichirō and often referred to his works. Tanizaki had published several short stories characterised by tantei shumi between 1911 and 1927, yet the link between the two authors lies not only in their choice of the narrative genre. Tanizaki was a great admirer of Edgar Allan Poe and translated many of his stories including “The Domain of Arnheim”. Ranpo, too, was overtly inspired by Poe’s stories “The Domain of Arnheim” and “Landor’s Cottage”, which can be seen in the plot and descriptions of Panoramatō kidan. The aim of my investigation is therefore to examine the path that leads us from Poe’s “The Domain of Arnheim”, to Tanizaki’s Konjiki no shi, and from Poe and Tanizaki to Ranpo’s Panoramatō kidan.
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