塑性文化:一种研究方法及主要特征

V. Rozin
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引用次数: 0

摘要

笔者对造型文化艺术现象进行了探讨。提出了对身体运动的扩展理解,包括手势,姿势,面部表情,表情,艺术家和观众在外部社会节奏和音乐中的参与,灵魂的内部运动和节奏。所有这些运动都是在塑料文化的框架内组织起来的,虽然它们是独立存在的,但它们有不同的形成来源和功能领域。一个人沉浸在一种美学的、更广泛的艺术文化中,这种文化自古以来就渗透到一个人的日常生活中,更不用说专门从事某一种艺术了,它触发了组织人体运动和节奏的过程。作者确定了决定这种组织的两个重要因素:艺术领域的条件和要求以及艺术语言,理解得非常广泛。他把艺术的领域刻画为具有公共性的特征,区别于普通的生活和工作,艺术为另一个通常具有吸引力的现实(对神、美、理想、另一个世界)打开了一个出口,设置了一种特殊的交流方式。作者在描述艺术语言时指出,这种语言的有意义的构式执行着与普通符号不同的任务:它们不设定明确的外延,而是要引入艺术现实,帮助观者在现实中建构事件。在此基础上,对舞蹈的形成进行了分析,并给出了造型艺术文化的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Plastic Culture: an Approach to the Study and the Main Characteristics
The author discusses the phenomenon of plastic culture and art. An expanded understanding of body movement is proposed, including gestures, poses, facial expressions, expression, the involvement of the artist and the viewer in external social rhythms and in music, internal movements and rhythms of the soul. All these movements are organized within the framework of plastic culture, although they exist by themselves, they have different sources of formation and areas of functioning. The immersion of a person into an aesthetic, more broadly artistic culture that has permeated, since antiquity, even the ordinary life of a person, not to mention specialization in a particular kind of art, triggers the process of organizing human movements and rhythms. The author identifies two factors that significantly determine this organization: the conditions and requirements of the sphere of art and the artistic language, understood extremely broadly. He characterizes the sphere of art with the features of publicity, differences from ordinary life and work, art opens an outlet to another, usually attractive, reality (to gods, beauty, ideals, to another world), sets a special type of communication. Describing the artistic language, the author points out that meaningful constructions of this language perform a different task than ordinary signs: they do not set unambiguous denotations, but should introduce into artistic reality and help the viewer to construct events in this reality. On the basis of these provisions, an analysis of the formation of dance is proposed and a characteristic of plastic art and culture is given.
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