{"title":"只是幻想中的相似?兰斯洛特·安德鲁斯和格特鲁德·斯坦","authors":"Esther Osorio Whewell","doi":"10.1093/camqtly/bfad011","DOIUrl":null,"url":null,"abstract":"Abstract:WHEWELL: This essay is a critical experiment in learning to read the early modern by the modernist, and vice versa, and trying at the same time to enact an argument by way of hunch. It walks Lancelot Andrewes (particularly his Easter sermons in 1597, 1604 and 1605) alongside Gertrude Stein (particularly her 1926 'Composition as Explanation') to show how each provides a valuable means to understand the eccentric and beguiling punning and repetitive prose kinetics of other, and to map the related ways by which they both coach our reading attention and teach us about it.","PeriodicalId":374258,"journal":{"name":"The Cambridge Quarterly","volume":"112 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein\",\"authors\":\"Esther Osorio Whewell\",\"doi\":\"10.1093/camqtly/bfad011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:WHEWELL: This essay is a critical experiment in learning to read the early modern by the modernist, and vice versa, and trying at the same time to enact an argument by way of hunch. It walks Lancelot Andrewes (particularly his Easter sermons in 1597, 1604 and 1605) alongside Gertrude Stein (particularly her 1926 'Composition as Explanation') to show how each provides a valuable means to understand the eccentric and beguiling punning and repetitive prose kinetics of other, and to map the related ways by which they both coach our reading attention and teach us about it.\",\"PeriodicalId\":374258,\"journal\":{\"name\":\"The Cambridge Quarterly\",\"volume\":\"112 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Cambridge Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/camqtly/bfad011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cambridge Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/camqtly/bfad011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein
Abstract:WHEWELL: This essay is a critical experiment in learning to read the early modern by the modernist, and vice versa, and trying at the same time to enact an argument by way of hunch. It walks Lancelot Andrewes (particularly his Easter sermons in 1597, 1604 and 1605) alongside Gertrude Stein (particularly her 1926 'Composition as Explanation') to show how each provides a valuable means to understand the eccentric and beguiling punning and repetitive prose kinetics of other, and to map the related ways by which they both coach our reading attention and teach us about it.
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