死亡,他的家和他的城市。卡塔赫纳寂静城市的衰落

María José Muñoz Mora
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引用次数: 0

摘要

这几行暴露的作品是基于作者在2016年6月16日在阿利坎特大学发表的题为“死亡,他的房子和他的城市”的博士论文中所读到的文本。卡塔赫纳沉默城市的衰落”。调查是由安德烈斯·马丁内斯·梅迪纳教授进行的对调查进行评估的法庭成员是医生;Maria Elia Gutierrez Mozo, Maria del Mar Loren Mendes和Ignacio Gonzalez-Varas Ibanez。建筑似乎一直生活在生活的前面。然而,生与死是同一枚硬币的两面:没有尤萨皮亚,就没有生者之城或死者之城。刘易斯·芒福德(Lewis Mumford)在1961年说过:也许城市的起源只不过是墓地。而每个城市,至少,都是一组建筑,就墓地而言,召唤着永恒。然而,值得注意的是,这些建筑,那些记忆城市和墓地的建筑,甚至在它们建成之前就被画得很差。这些城市可能会有一些规划,但“永远的住所”的遗迹很少,通常是生活者建筑的复制品,受到他们自己愿望的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La muerte, su casa y su ciudad. El desvanecimiento de las ciudades silentes de Cartagena
The work exposed in these lines is based on the text that the author read in the presentation of his doctoral thesis defended at the University of Alicante on June 16, 2016 titled "Death, his house and his city. The fading of the Cartagena´s silent cities". The investigation was conducted by Professor Andres Martinez Medina and the members of the court that evaluated the investigation were the doctors; Maria Elia Gutierrez Mozo, Maria del Mar Loren Mendes and Ignacio Gonzalez-Varas Ibanez. The architecture seems to have always lived in front of life. However, life and death are two sides of the same coin: there is no city of the living without its Eusapia or city of the dead. Lewis Mumford said it in 1961: perhaps the cities, in their origin, were nothing more than necropolis. And every city is, at least, a set of built architectures that, in the case of cemeteries, summon eternity. Nevertheless, and significantly, these architectures, those of memory cities and cemeteries have been poorly drawn, even before they were built. There may be some plans for these cities, but little remains of the 'forever dwellings', often replicas of the architecture of the living, influenced by their own aspirations.
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