录像装置作品:灵感、作品、展览和公众接受

Inês Regina Barbosa de Argôlo, B. Silva, Gabriela Borges
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引用次数: 0

摘要

Rejeitorio是一个以数字技术为媒介的互动视频装置,它指出了保护奥弗朗西斯科河的紧迫性,特别是在Brumadinho市(巴西)的大坝倒塌导致其一条支流被有毒尾矿污染之后。视频装置的特点是2D动画,根据在划定的空间内公众的存在或不存在进行交替。本文从美学、媒介或操作的角度论述了它的展览、公众接受以及相关作品。这是在第十届数字与互动艺术国际会议(ARTECH 2021)上发表的一篇论文的扩展版本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Video Installation Rejeitorio: Inspirations, Work, Exhibitions, and Public Reception
Rejeitorio is an interactive video installation mediated by digital technology that points to the urgency of preserving the São Francisco River, especially after the dam collapse in the city of Brumadinho (Brazil), which resulted in the contamination of one of its tributaries with toxic tailings. The video installation features 2D animations that alternate according to the presence or absence of the public within the demarcated space. This paper addresses its exhibition, reception by the public, and related works in aesthetic, media, or operational terms. This is an expanded version of a paper presented at the 10th International Conference on Digital and Interactive Arts (ARTECH 2021).
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