布尔迪厄主义社会学中的男性统治与性别

Birol Demircan
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引用次数: 0

摘要

在这项研究中,墨西哥导演阿方索Cuarón的电影《罗马》被研究。这部电影发生在20世纪70年代的墨西哥,当时社会要求变革。导演没有质疑被父亲抛弃的创伤背景,而是把重点放在了家里的女佣和她身上发生的一场灾难上。拍摄黑白电影的阿方索Cuarón作为导演、制片人、剪辑师、编剧、摄影师等共同创作了这部电影。这部电影是关于女性的孤独和性别的,将以皮埃尔·布迪厄关于男性统治的陈述为基础进行评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Masculine Domination and Gender in Bourdieusian Sociology
In the study, Mexican director Alfonso Cuarón's movie Roma was examined. The movie takes place in Mexico in the 1970s, at a time when the society demanded change. Instead of questioning the traumatic background of being abandoned by the father, the director focused on the maid of the house and a disaster that happened to her. Alfonso Cuarón, who shot the film in black and white, created it as the director, producer, editor, screenwriter, and cinematographer of the movie. The movie, which is about women's loneliness and gender, will be evaluated based on Pierre Bourdieu's statements on masculine domination.
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