Transvestite Museum of Peru

Giuseppe Campuzano wants to relate history all over again. He wants to unfold the bitchy version, the one with mascara running down its face. He wants to tell us all the stories that were taken from us. More than fifteen years ago, while he was dressing up in sequined costumes, feathered headdresses, and high heels, going from queer to queer, wig to wig, salon to salon, Giuseppe began to wonder about the lost ancestors of his joyful transvestite body. This question was also a performance, and a portable revolution about to explode. Out of his silver bag, Giuseppe took a series of writings, images, and objects that he had been accumulating since his childhood: this was the album of becoming-transvestite. This collection of recycled fictions—culled from the sewers of the heterosexual gaze’s regime of representation—was the beginning of an unstoppable vampire journey constituted by activism, theoretical writing, sexual practices, and cultural production. It was a vital journey on the road to subversion, with no predetermined plan or return ticket, and it would lead him to gather a collection of queer images and create the incredible archive, warehouse, and arsenal of disobedient bodies that he calls Museo Travesti de Peru—the Transvestite Museum of Peru (TMP).