{"title":"政治口味:阅读公社烹饪书","authors":"S. Hartman","doi":"10.1525/GFC.2003.3.2.29","DOIUrl":null,"url":null,"abstract":"This article examines cookbooks produced by American communes in the \nearly 1970s, considering each as the historical record of a unique political and \nsocial community. It also analyzes them as still-relevant examples of how eating \nhabits can reflect political ideals. The variety of these books testifies to the many \nways of negotiating this question. The first part provides an overview of the counter-cultural movement and \nthe role of food within it. The conviction that society had gone terribly awry led to \nthe founding of thousands of utopian communities, determined to invent and \nmodel alternatives. Food was inseparable from the most closely held values of commune residents, who tried to live what they believed through making \nconscious choices about what they ate, how they grew or got their food, and how \nthey divided the labor. What people discussed most on communes was \napparently not sex, not \"the revolution,\" but food. These eclectic, irreverent cookbooks remind us that eating is seldom a \npure expression of political conviction; it also reflects considerations of economy, \navailability, ethnicity, personal history, and sensual gratification. Interspersing \nrecipes with creative writing and psychedelic art, one cookbook explains how to \nskin a porcupine, cook with hashish, and make Grand Marnier sabayon. Another \nadvocates bread-baking and shop-lifting in its critique of capitalism; a third \napproaches cooking as part of Buddhist practice. Throughout, their leisurely, \nprocess-oriented approach to food is the antithesis of both Betty Crocker and \nMartha Stewart. They show how cooking and eating can bring together pleasure \nand politics in unexpected ways.","PeriodicalId":429420,"journal":{"name":"Gastronomica: The Journal of Critical Food Studies","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2003-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"11","resultStr":"{\"title\":\"The Political Palate: Reading Commune Cookbooks\",\"authors\":\"S. Hartman\",\"doi\":\"10.1525/GFC.2003.3.2.29\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines cookbooks produced by American communes in the \\nearly 1970s, considering each as the historical record of a unique political and \\nsocial community. It also analyzes them as still-relevant examples of how eating \\nhabits can reflect political ideals. The variety of these books testifies to the many \\nways of negotiating this question. The first part provides an overview of the counter-cultural movement and \\nthe role of food within it. The conviction that society had gone terribly awry led to \\nthe founding of thousands of utopian communities, determined to invent and \\nmodel alternatives. Food was inseparable from the most closely held values of commune residents, who tried to live what they believed through making \\nconscious choices about what they ate, how they grew or got their food, and how \\nthey divided the labor. What people discussed most on communes was \\napparently not sex, not \\\"the revolution,\\\" but food. These eclectic, irreverent cookbooks remind us that eating is seldom a \\npure expression of political conviction; it also reflects considerations of economy, \\navailability, ethnicity, personal history, and sensual gratification. Interspersing \\nrecipes with creative writing and psychedelic art, one cookbook explains how to \\nskin a porcupine, cook with hashish, and make Grand Marnier sabayon. Another \\nadvocates bread-baking and shop-lifting in its critique of capitalism; a third \\napproaches cooking as part of Buddhist practice. Throughout, their leisurely, \\nprocess-oriented approach to food is the antithesis of both Betty Crocker and \\nMartha Stewart. They show how cooking and eating can bring together pleasure \\nand politics in unexpected ways.\",\"PeriodicalId\":429420,\"journal\":{\"name\":\"Gastronomica: The Journal of Critical Food Studies\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2003-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"11\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gastronomica: The Journal of Critical Food Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/GFC.2003.3.2.29\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gastronomica: The Journal of Critical Food Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/GFC.2003.3.2.29","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article examines cookbooks produced by American communes in the
early 1970s, considering each as the historical record of a unique political and
social community. It also analyzes them as still-relevant examples of how eating
habits can reflect political ideals. The variety of these books testifies to the many
ways of negotiating this question. The first part provides an overview of the counter-cultural movement and
the role of food within it. The conviction that society had gone terribly awry led to
the founding of thousands of utopian communities, determined to invent and
model alternatives. Food was inseparable from the most closely held values of commune residents, who tried to live what they believed through making
conscious choices about what they ate, how they grew or got their food, and how
they divided the labor. What people discussed most on communes was
apparently not sex, not "the revolution," but food. These eclectic, irreverent cookbooks remind us that eating is seldom a
pure expression of political conviction; it also reflects considerations of economy,
availability, ethnicity, personal history, and sensual gratification. Interspersing
recipes with creative writing and psychedelic art, one cookbook explains how to
skin a porcupine, cook with hashish, and make Grand Marnier sabayon. Another
advocates bread-baking and shop-lifting in its critique of capitalism; a third
approaches cooking as part of Buddhist practice. Throughout, their leisurely,
process-oriented approach to food is the antithesis of both Betty Crocker and
Martha Stewart. They show how cooking and eating can bring together pleasure
and politics in unexpected ways.