诉讼场景要做

Dale M. Cendali
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引用次数: 0

摘要

场景集市:它是什么?一般来说,当某些事物如此普通,如此自然地与该主题的处理联系在一起时,每个人都需要能够使用它们来写作、交谈或处理该主题。法庭发现什么是集市的场景?很多不同的东西,在很多不同的背景下。有些很容易想象:如果你要有一个水下世界,把沙子当钱,牡蛎壳当盘子,诸如此类的东西——这是有道理的。水行侠骑着海马;其他的水下人可能会骑海马。或者超级英雄穿斗篷和面具的想法——你可以理解这是每个人都应该自由使用的常见类型。同样地,如果你在二战中设置场景,你可能会有一个德国啤酒厅。如果你在美国南部的一个小镇上设置场景,你可能会有一个乡村音乐酒吧,有一种粗糙的氛围,音乐从自动点唱机里播放;会播放一首悲伤的歌曲,然后是舞蹈。在那之后可能会发生更多的事情,但背景可能有共同的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Litigating Scènes à Faire
Scenes a faire: What is it? Generally speaking, it’s when certain things are so commonplace, and so naturally associated with the treatment of the subject, that everyone needs to be able to use them in order to also write, or talk, or deal with that subject. What have courts found to be scenes a faire? Lots of different things, in lots of different contexts. Some are easy to picture: If you’re going to have an underwater world, having sand dollars as money, oyster shells as plates, and things like that—that makes some sense. Aquaman rides a seahorse; other underwater people might ride seahorses. Or the idea that superheroes wear capes and masks— you can understand that that’s something common to the genre that everyone should be free to use. Similarly, if you are setting something in World War II, you might have a German beer hall. If you are setting something in a small town in the American South, you might have a country music bar with a gritty atmosphere and music playing from a jukebox; it’s going to be playing a sad song, and then dancing will ensue. More things may happen after that, but the setting could have common elements.
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