{"title":"晚荣:罗伯特·特尼的月花照片","authors":"Steve Rachman","doi":"10.1353/RCR.2013.0022","DOIUrl":null,"url":null,"abstract":"Robert J. Turney's moonflower studies are the photographic harvest of three years worth of summer evenings in East Lansing, Michigan. In the spring, Turney sowed his seeds in three large flowerpots (he is a casually accomplished gardener) and let the twining vines grow. Come July and August, the plants would blossom as the sun went down and the photographer would move his pots ofmoonflowers into his driveway, set up his lighting (two no-nonsense 500-watt quartz construction lamps), and get his Schneider 355mm f/9 G-Claron lens into position. In darkness, Turney shot them: singly, in pairs and groups, in bud stage or various phases of blossoming, and in full, trumpeting bloom. From 1999-2001, in this seasonal way, Turney pursued the flowers, under clouds, under stars, under the glowing coal of his cigarette. He used all the elements of light and dark, testing each photographic idea as it occurred to him, printing them, scrutinizing the results under the ground glass until his lens had nothing new to show him and he knew that he was done.","PeriodicalId":158814,"journal":{"name":"Red Cedar Review","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Evening Glories: Robert Turney's Moonflower Photographs\",\"authors\":\"Steve Rachman\",\"doi\":\"10.1353/RCR.2013.0022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Robert J. Turney's moonflower studies are the photographic harvest of three years worth of summer evenings in East Lansing, Michigan. In the spring, Turney sowed his seeds in three large flowerpots (he is a casually accomplished gardener) and let the twining vines grow. Come July and August, the plants would blossom as the sun went down and the photographer would move his pots ofmoonflowers into his driveway, set up his lighting (two no-nonsense 500-watt quartz construction lamps), and get his Schneider 355mm f/9 G-Claron lens into position. In darkness, Turney shot them: singly, in pairs and groups, in bud stage or various phases of blossoming, and in full, trumpeting bloom. From 1999-2001, in this seasonal way, Turney pursued the flowers, under clouds, under stars, under the glowing coal of his cigarette. He used all the elements of light and dark, testing each photographic idea as it occurred to him, printing them, scrutinizing the results under the ground glass until his lens had nothing new to show him and he knew that he was done.\",\"PeriodicalId\":158814,\"journal\":{\"name\":\"Red Cedar Review\",\"volume\":\"20 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-10-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Red Cedar Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/RCR.2013.0022\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Red Cedar Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/RCR.2013.0022","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
罗伯特·j·特尼(Robert J. Turney)的月花研究是对密歇根州东兰辛(East Lansing)三年夏夜的摄影收获。到了春天,特尼把他的种子撒在三个大花盆里(他是一个漫不经心的园丁),让缠绕的藤蔓生长。到了7月和8月,当太阳下山时,这些植物就会开花,摄影师会把他的盆月花搬到他的车道上,设置好他的照明(两盏500瓦的石英建筑灯),然后把他的施耐德355mm f/9 G-Claron镜头放到位。在黑暗中,特尼拍摄它们:单个的,成对的,成群的,在萌芽阶段或开花的不同阶段,以及盛开的花朵。从1999年到2001年,以这种季节性的方式,特尼在云层下、星星下、香烟燃烧的煤下追寻着花朵。他使用了所有的明暗元素,对他想到的每一个摄影创意进行测试,打印出来,在磨砂玻璃下仔细检查结果,直到镜头里没有任何新的东西可以展示他,他知道他完成了。
Evening Glories: Robert Turney's Moonflower Photographs
Robert J. Turney's moonflower studies are the photographic harvest of three years worth of summer evenings in East Lansing, Michigan. In the spring, Turney sowed his seeds in three large flowerpots (he is a casually accomplished gardener) and let the twining vines grow. Come July and August, the plants would blossom as the sun went down and the photographer would move his pots ofmoonflowers into his driveway, set up his lighting (two no-nonsense 500-watt quartz construction lamps), and get his Schneider 355mm f/9 G-Claron lens into position. In darkness, Turney shot them: singly, in pairs and groups, in bud stage or various phases of blossoming, and in full, trumpeting bloom. From 1999-2001, in this seasonal way, Turney pursued the flowers, under clouds, under stars, under the glowing coal of his cigarette. He used all the elements of light and dark, testing each photographic idea as it occurred to him, printing them, scrutinizing the results under the ground glass until his lens had nothing new to show him and he knew that he was done.