{"title":"伊凡·维里帕耶夫早期戏剧中的互文性技巧:引用类型","authors":"M. V. Chistyakova","doi":"10.37386/2305-4077-2021-3-246-259","DOIUrl":null,"url":null,"abstract":"The article is devoted to the consideration of various types of citation used by Ivan Vyrypaev in early drama in the period from 1999 to 2006. The author attempts to identify and analyze the evolution of not only the reception, but also the ideological and content nature of drama. The plays “The City where I Am”, “Valentine’s Day”, “Oxygen”, “Genesis No. 2”, “July” served as the material for the study.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"2015 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"INTERTEXTUALITY AS A TECHNIQUE IN THE EARLY DRAMA OF IVAN VYRYPAEV: TYPES OF CITATIONS\",\"authors\":\"M. V. Chistyakova\",\"doi\":\"10.37386/2305-4077-2021-3-246-259\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to the consideration of various types of citation used by Ivan Vyrypaev in early drama in the period from 1999 to 2006. The author attempts to identify and analyze the evolution of not only the reception, but also the ideological and content nature of drama. The plays “The City where I Am”, “Valentine’s Day”, “Oxygen”, “Genesis No. 2”, “July” served as the material for the study.\",\"PeriodicalId\":187515,\"journal\":{\"name\":\"Culture and Text\",\"volume\":\"2015 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture and Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37386/2305-4077-2021-3-246-259\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37386/2305-4077-2021-3-246-259","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
INTERTEXTUALITY AS A TECHNIQUE IN THE EARLY DRAMA OF IVAN VYRYPAEV: TYPES OF CITATIONS
The article is devoted to the consideration of various types of citation used by Ivan Vyrypaev in early drama in the period from 1999 to 2006. The author attempts to identify and analyze the evolution of not only the reception, but also the ideological and content nature of drama. The plays “The City where I Am”, “Valentine’s Day”, “Oxygen”, “Genesis No. 2”, “July” served as the material for the study.
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