{"title":"当代台湾垃圾车音乐与永续发展","authors":"","doi":"10.5622/illinois/9780252042362.003.0006","DOIUrl":null,"url":null,"abstract":"Garbage in Taiwan is at the center of a musical assemblage that resonates beyond the waste collection soundscape. Taiwanese garbage trucks are musical: Badarzewska's Maiden's Prayer or Beethoven's För Elise announce the brigade's arrival at designated times and pick up locations. Neighbors stream into the street for a turn at depositing their presorted waste into the proper receptacles. Taiwan's semi-tropical climate combined with a densely situated human population, and the presence of well-established rat and cockroach populations, combine to make garbage management a matter of daily urgency. This chapter takes Taiwan's pop music, primarily Mandopop, from the early 1980s through the mid-2010s as evidence of ways in which everyday practices aimed at dealing sustainably with household waste have seeped into a wide range of sensibilities.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"90 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Garbage Truck Music and Sustainability in Contemporary Taiwan\",\"authors\":\"\",\"doi\":\"10.5622/illinois/9780252042362.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Garbage in Taiwan is at the center of a musical assemblage that resonates beyond the waste collection soundscape. Taiwanese garbage trucks are musical: Badarzewska's Maiden's Prayer or Beethoven's För Elise announce the brigade's arrival at designated times and pick up locations. Neighbors stream into the street for a turn at depositing their presorted waste into the proper receptacles. Taiwan's semi-tropical climate combined with a densely situated human population, and the presence of well-established rat and cockroach populations, combine to make garbage management a matter of daily urgency. This chapter takes Taiwan's pop music, primarily Mandopop, from the early 1980s through the mid-2010s as evidence of ways in which everyday practices aimed at dealing sustainably with household waste have seeped into a wide range of sensibilities.\",\"PeriodicalId\":438418,\"journal\":{\"name\":\"Cultural Sustainabilities\",\"volume\":\"90 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Sustainabilities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5622/illinois/9780252042362.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Sustainabilities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5622/illinois/9780252042362.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Garbage Truck Music and Sustainability in Contemporary Taiwan
Garbage in Taiwan is at the center of a musical assemblage that resonates beyond the waste collection soundscape. Taiwanese garbage trucks are musical: Badarzewska's Maiden's Prayer or Beethoven's För Elise announce the brigade's arrival at designated times and pick up locations. Neighbors stream into the street for a turn at depositing their presorted waste into the proper receptacles. Taiwan's semi-tropical climate combined with a densely situated human population, and the presence of well-established rat and cockroach populations, combine to make garbage management a matter of daily urgency. This chapter takes Taiwan's pop music, primarily Mandopop, from the early 1980s through the mid-2010s as evidence of ways in which everyday practices aimed at dealing sustainably with household waste have seeped into a wide range of sensibilities.