{"title":"“那个副官会说话吗?”:设计中的批判性制作","authors":"Behnaz Farahi","doi":"10.1145/3450507.3457429","DOIUrl":null,"url":null,"abstract":"The Bandari women from the southern coast of Iran are famous for their intriguing masks, known as Niqab masks. Legend has it that the practice started during Portuguese colonial rule as a way of protecting the wearer, not only from the harsh sun of the Persian Gulf, but also from slave masters looking for pretty women. Viewed from a contemporary perspective, these masks can be seen as a means of protecting women from patriarchal and colonial oppression.","PeriodicalId":146833,"journal":{"name":"ACM SIGGRAPH 2021 Art Gallery","volume":"55 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"\\\"Can the subaltern speak?\\\": critical making in design\",\"authors\":\"Behnaz Farahi\",\"doi\":\"10.1145/3450507.3457429\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Bandari women from the southern coast of Iran are famous for their intriguing masks, known as Niqab masks. Legend has it that the practice started during Portuguese colonial rule as a way of protecting the wearer, not only from the harsh sun of the Persian Gulf, but also from slave masters looking for pretty women. Viewed from a contemporary perspective, these masks can be seen as a means of protecting women from patriarchal and colonial oppression.\",\"PeriodicalId\":146833,\"journal\":{\"name\":\"ACM SIGGRAPH 2021 Art Gallery\",\"volume\":\"55 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACM SIGGRAPH 2021 Art Gallery\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3450507.3457429\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH 2021 Art Gallery","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3450507.3457429","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
"Can the subaltern speak?": critical making in design
The Bandari women from the southern coast of Iran are famous for their intriguing masks, known as Niqab masks. Legend has it that the practice started during Portuguese colonial rule as a way of protecting the wearer, not only from the harsh sun of the Persian Gulf, but also from slave masters looking for pretty women. Viewed from a contemporary perspective, these masks can be seen as a means of protecting women from patriarchal and colonial oppression.