{"title":"米哈伊洛夫的《文化智慧》中的巴洛克理论","authors":"Anton N. Afanasiev","doi":"10.2139/ssrn.3082157","DOIUrl":null,"url":null,"abstract":"This study aims to present that A.V. Mikhailov’s historical method is systematic. Special attention is given to historical-anthropological dimension of the A.V. Mikhailov's theory of the baroque. The article shows that Mikhailov's historical anthropology should be viewed as a constitutive part of his “Kulturwissenschaft”, opposed both to the literary science and to the positivist historiography by means of commitment to historize human sciences through the notion of «new historinism».","PeriodicalId":399171,"journal":{"name":"Philosophy of Science eJournal","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A.V. Mikhailov's Theory of the Baroque in His 'Kulturwissenschaft'\",\"authors\":\"Anton N. Afanasiev\",\"doi\":\"10.2139/ssrn.3082157\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study aims to present that A.V. Mikhailov’s historical method is systematic. Special attention is given to historical-anthropological dimension of the A.V. Mikhailov's theory of the baroque. The article shows that Mikhailov's historical anthropology should be viewed as a constitutive part of his “Kulturwissenschaft”, opposed both to the literary science and to the positivist historiography by means of commitment to historize human sciences through the notion of «new historinism».\",\"PeriodicalId\":399171,\"journal\":{\"name\":\"Philosophy of Science eJournal\",\"volume\":\"51 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Philosophy of Science eJournal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2139/ssrn.3082157\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philosophy of Science eJournal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2139/ssrn.3082157","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A.V. Mikhailov's Theory of the Baroque in His 'Kulturwissenschaft'
This study aims to present that A.V. Mikhailov’s historical method is systematic. Special attention is given to historical-anthropological dimension of the A.V. Mikhailov's theory of the baroque. The article shows that Mikhailov's historical anthropology should be viewed as a constitutive part of his “Kulturwissenschaft”, opposed both to the literary science and to the positivist historiography by means of commitment to historize human sciences through the notion of «new historinism».
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