旅游产业全球化对伪传统艺术中地方智慧文化的存在——以蚌埠路传统艺术商品化为例

Bambang Parmadi, Benardin
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引用次数: 1

摘要

全球化对文化语境的影响是通过现代化影响下的工业过程对文化事物的交易。旅游业是一种全球化,它生产的文化产品在经济上和有目的地商业化。在全球化时代,被商业化的文化事物之一是传统艺术。接下来的问题是如何发展模式,使传统艺术作为地方智慧的主体的支持者得以维持,但希望它可以,另一方面,适应全球化的需求,在经济和社会文化方面,已经商品化的文化?为了将传统艺术作为社会文化方式的文化认同的存在与旅游产业对文化商品化的需求协同起来,通过定性方法的实地研究,可以得出结论。首先,在现代性发展的4.0时代,文化的商品化是不可避免的,这可以从更发达的旅游业中看出。其次,文化对地方智慧的商品化实际上可以通过一些策略来解决,而不会使地方智慧和文化的支持者边缘化。第三,传统艺术作为文化身份的空间,只要概念模式能够将支持者的感知和反应与旅游业的需求协同起来,就可以从文化商品化中得到维护和振兴。第四,适应文化商品化需求的最相关的概念之一是所谓的伪传统艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Globalization Of Tourism Industry Toward Culture Of Local Wisdom In The Existance Of Pseudo Traditional Art Case Study of the Commodification of Bengkulu Traditional Arts
The influence of globalization toward cultural context is a transaction of cultural things through industrial process affected by modernization. Tourism industry is one of the globalizations which produces cultural things to be commercialized financially and purposefully. One of cultural things to be commercialized in the era of globalization is traditional art. The issue coming up is how to develop patterns so that the supporters of traditional art as the subject of local wisdom are maintained, but hopefully it can, on the other hand, accommodate globalization demands, for both economic and sociocultural aspects which have commodified culture? With the aim of synergizing the existence of traditional art as cultural identity of supporters in sociocultural way and the demands of tourism industry that commodify culture, through field research using qualitative method, it can be concluded that. First, commodification of culture is inevitable in the era of 4.0 which develops in modernity, which can be seen from more developed tourism industry. Second, commodification of culture toward local wisdom can actually be solved with some strategies without marginalizing the supporters of the local wisdom and culture. Third, the space of traditional art as cultural identity can be maintained and revitalized from commodification of culture as long as the conceptual pattern can synergize the perception and responses of the supporters with the demands of tourism industry. Forth, one of the most relevant concept to accommodate the demands of commodification of culture is what is known as pseudo traditional art.
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