莎莉·韦斯利,福音派的蓝袜女,以及热情的调节

Andrew O. Winckles
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引用次数: 0

摘要

第六章探讨了莎莉·韦斯利的人际网络,她是约翰·韦斯利的侄女,也是查尔斯·韦斯利的独生女。卫斯理是后期蓝袜人网络的中心,他们在19世纪初制作和传播材料。这个多元化的群体特别感兴趣的是福音派的感觉和热情对英国生活和信件的性质和影响。对卫斯理网络的分析显示,来自所有社会和宗教背景的成员都在辩论和讨论宗教热情的适当作用——争论一种规范良好的热情对文学作品的创作和发行的重要性。具体来说,它探讨了韦斯利圈子里的其他女性,特别是玛丽·泰赫、伊丽莎白·汉密尔顿和玛丽亚·斯皮尔伯里,是如何处理宗教热情问题的。基于这些证据,它考虑了宗教和神学如何帮助像莎莉·韦斯利这样的女性在摄政时期社会和浪漫主义等艺术运动中女性角色的转变来构建和影响她们的艺术创作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sally Wesley, the Evangelical Bluestockings, and the Regulation of Enthusiasm
Chapter Six considers the networks surrounding Sally Wesley, John Wesley’s niece and Charles Wesley’s only daughter. Wesley was at the center of a network of latter day Bluestockings who produced and circulated material around the turn of the nineteenth century. Of particular interest to this diverse group was the nature and influence of evangelical feeling and enthusiasm on British life and letters. Analysis of Wesley’s network reveals members from all social and religious backgrounds debating and discussing the proper role of religious enthusiasm—arguing for the importance of a well-regulated enthusiasm to the creation and distribution of literary work. Specifically, it explores how other women in Wesley’s circle, particularly Mary Tighe, Elizabeth Hamilton, and Maria Spilsbury, addressed the issue of religious enthusiasm. Based on this evidence it considers the question of how religion and theology helped women like Sally Wesley structure and inform their artistic production in conversation with the shifting roles for women in Regency society and artistic movements like Romanticism.
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