逃避的导师和误入歧途的妻子

S. Raman
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引用次数: 0

摘要

这一章讨论了Śaiva Siddhānta传统中的冲突,即今天的泰米尔纳德邦。有关的冲突始于19世纪60年代,起因是代表宗教新传统主义形式的Śaivite学者Arumuga Navalar对现代Śaiva诗人、自封为悉达者Ramalinga Swamigal的攻击。这场斗争围绕着Śaivite经典的定义展开。拉玛林加创作的歌曲大获成功,纳瓦拉尔对此感到不安,他的歌曲集于1867年以Tiruvaruṭpā的名义出版。Navalar对现存的习俗,特别是对低种姓人群的习俗持高度批评态度,他反对接受Ramalinga和他的歌曲,因为他认为他的歌曲与早期的诗人圣人一样。作者将这种冲突置于早期论战性文学传统对过去态度的变化背景中。作者认为Navalar有意追求Śaivism的“新教化”,开辟了排斥和包容的新路线。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Evasive Guru and the Errant Wife
The chapter discusses a conflict within the Śaiva Siddhānta tradition in what is present-day Tamil Nadu. The conflict concerned was started in the 1860s by an attack of Arumuga Navalar, a Śaivite scholar, who represented a form of religious neo-traditionalism, on Ramalinga Swamigal, a modern Śaiva poet and self-styled siddha. The struggle revolved around the definition of the Śaivite canon. Navalar was upset by Ramalinga’s success with the songs he had composed, a collection of which was published in 1867 under the name Tiruvaruṭpā. Navalar, highly critical of extant practices, especially of those of lower-caste people, opposed the acceptance of Ramalinga and his songs as being on par with those of the earlier poet-saints. The author places this conflict in the context of changes of earlier polemical literary traditions regarding the attitude to the past. The author sees Navalar as pursuing a deliberate ‘Protestantization’ of Śaivism, laying down new lines of exclusion and inclusion.
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