作为文学主题的司法错误(1969)《界定主题》

W. Holdheim, Maurgerite Allen
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引用次数: 1

摘要

犯罪与法庭是最丰富、最引人入胜的文学主题之一。像这样的主题不能再被称为主题:它已经是一组主题,无法进行任何精确的分类,它是一个巨大的复杂的联系,包含了最不同的思想领域,并发挥了最不同的关注领域。普通的谋杀甚至司法谋杀都可以成为焦点,审判、法官和刽子手、犯罪和惩罚、正式的司法管理以及人类(或更确切地说是宇宙)正义也可以成为焦点。相关文献的范围从最流行的到最微妙的,从最短暂的政治参与到纯粹的美丽信件。虽然其中一些可能永远不会超越字面意义,但另一方面,它可以表现出多层次的意义,并最终扎根于宗教问题的基石。它的范围包括现实主义和超现实主义或戏仿;它从对司法系统的历史描述延伸到对当代条件和制度的批判之外,延伸到一个(积极或消极的)乌托邦。只有一个“丰富的尴尬”才阻止我引用几十个名字来验证这个话题的历史普遍性,这个话题从最古老的文献到最古老的文献都没有中断过
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Judicial Error as a Literary Theme (1969) “Defining the Theme”
One of the richest, most fascinating literary subjects is that of crime and the court of law. A subject like this can no longer be called a theme: it is already a cluster of themes which eludes any attempt at exact classification, an enormous complex of associations containing the most disparate fields of thought and bringing into play the most diverse areas of concern. Ordinary homicides or even judicial murders can be the focal point, as can trials, judges and executioners, crime and punishment, the formal administration of justice, and human (or rather cosmic) justice. The relevant literature ranges from the most popular to the most subtle, from the most ephemeral political engagement to pure belles lettres. While some of it may never surpass the literal, it can, on the other hand, manifest multiple levels of meaning and ultimately take root in the very bedrock of religious problems. Its scope includes realism as well as surrealism or parody; it extends from the historical portrayal of the judicial system beyond the critique of contemporary conditions and institutions to a (positive or negative) utopia. Only an embarras de richesse prevents me from citing dozens of names to verify the historical universality of a topic that has continued uninterrupted from the oldest literature to the most
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