读者与文学

V. Kantorovich
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引用次数: 0

摘要

关于读者的争论从远古时代就开始了。一旦有了一个固定的读者和观众圈子,它们就开始了。至少,阿里斯托芬的《青蛙》在剧院上演的时间比古腾堡发明印刷术早了将近两千年。毕竟,这部喜剧是对各种艺术创作者和消费者的恶搞,主要是关于雅典的“无人机”。自然,即使在今天,这个话题也没有失去它的流行,当读者已经扩展到一个非凡的程度,读者之间的区别在于他们阅读的动机和他们的“阅读技巧”。当今,读者研究具有重要的社会意义;在包括我国在内的所有国家,正在出版许多关于这一主题的著作。这些作品的作者利用图书馆和出版社的统计数据,并采用特殊的数学方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Readers and Literature
Disputes about readers have been going on since time immemorial. They began as soon as a permanent circle of readers and viewers had appeared. At the very least, Aristophanes's Frogs was performed in a theater almost two thousand years before Gutenberg invented the printing press. And this comedy, after all, was a parody on various kinds of creators and consumers of art, for the most part about the "drones" of Athens. This topic, naturally, has not lost its currency even today, when the readership has expanded to an extraordinary degree and readers have come to be distinguished from one another by both their motives for reading and their very "skill at reading." Nowadays, the study of readers has acquired great social significance; in all countries, including our own, numerous works on this topic are being published. The authors of these works utilize statistics from libraries and publishing houses and employ special mathematical methods.
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