文化体系和社会体系中的改革与变革

L. Logunova
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引用次数: 0

摘要

这篇文章专门论述了现代文化在长期改革形势下的作用。这是对奥列霍夫斯基-P.A. 和 Razumov V. I. 于 2021 年底在《思想与理想》杂志上指出的问题的理解。作者继续讨论了 "自恋文化 "在不同生活领域蔓延的后果。文章作者从系统方法的角度研究了这一问题。这种方法使我们能够看到社会系统结构中内在的社会变化,以及文化作为 "超系统 "的稳定作用。这种方法论立场排除了作为系统结构之一从内部对系统进行批判的可能性。与其说是批判分析,不如说是基于理解、解释和预言的人文语义分析。该方法论综合体建立在人文-语义、建构主义、系统方法的组合之上。作者证明了文化在更新社会子系统的现代管理过程中的渗透性和稳定作用。建构主义方法有助于解释新社会角色的分配。社会被区分为改革者(主导行动者)和被改革者(统计行动者)。戏剧方法的戏剧术语解释了社会行动的游戏意义。改革者的主要游戏是 "捕鼠器"。它揭示了改革发起者的 "纯洁 "品质。作者研究了改革过程中的社会角色及其分配的具体情况。文章探讨了改革与改良的过程。这两个过程在含义、目标和工具上的差异显而易见。改革是基于人道主义和正义原则的社会进程。改革是在话语的 "吸引场 "上进行的一场游戏。改革主义被定义为一种追求改革、新颖的时尚,一种不断更新社会体系结构的趋势。其目标是通过改革者的社会地位获得利益和好处。这是一场主导者捍卫改变游戏规则、获取资源的权利的游戏。改革并不能解决社会问题,反而会加剧社会文化进程。改革的后果带来的风险是反常现象,是所有相关参与者都能感受到的创伤性社会变革,无论他们在 "吸引领域 "中处于何种主导地位。文化的系统形成功能提供了规范秩序,从而使系统达到平衡。作者运用整体社会学的技术,展示了文化的价值核心在 "社会 "系统生活中的稳定作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reforming and Reformation in the System of Culture and Systems of Society
The article is devoted to the role of modern culture in the situation of permanent reforms. This is an understanding of the problem identified by Orekhovsky P. A. and Razumov V. I. in the journal “Ideas and Ideals” at the end of 2021. The author continues the discussion about the consequences of the spread of “narcissistic culture” in different areas of life. The author of the article studies the problem from the standpoint of a systematic approach. This methodology allows us to see the built-in social changes in the structure of the social system, the stabilizing role of culture as a “supersystem”. Such a methodological position excludes the possibility of criticizing the system from within, being one of its structures. Instead of critical analysis, a humanistic-semantic one is proposed, based on understanding, explanation, prognostication. The methodological complex is built on the combinatorics of the humanistic-semantic, constructivist, systemic approach. The author proves the thesis of the all-penetrating nature and the stabilizing role of culture in modern managerial processes of updating the subsystems of society. The methods of the constructivist approach help to explain the distribution of new social roles. Society is differentiated into reformers (dominant actors) and those who are subject to reform (statistical actors). The theatrical terminology of the dramatic approach explains the playful meaning of social actions. The main game of the reformers is a “mousetrap”. It reveals the ‘pure’ qualities of the initiators of the reforms. The author studies the social roles and the specifics of their distribution in the processes of reformation. The article considers the processes of reforming and reformation. Differences in the meanings, goals and tools of these processes are shown. Reforming is a social process based on the principles of humanism and justice. Reformation is a game which action takes place on the ‘fields of attraction’of discourses. Reformism is defined as a fashion for reform, for novelty, a trend for constant renewal of the structures of the society system. The goal is to receive benefits and advantages from the social position of the reformers. This is a game of dominant actors defending the right to change the rules of the game, access to resources. Reformation does not lead to the solution of social problems, exacerbates the course of socio-cultural processes. The risks from the consequences of reformation are anomie, social changes of a traumatic nature which all relevant actors feel, regardless of their dominance in the ‘fields of attraction’. The system is brought into balance by culture with its system-forming functions that provide normative order. Using the techniques of integral sociology, the author shows the stabilizing role of the value core of culture in the life of the ‘society’ system.
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