苹果不会掉得太远:艺术方法的一句话

Srdjan Sarovic
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摘要

这篇文章代表了对艺术方法的探究;因此,它的目的是肯定其重要性。首先,从艺术方法的概念与诗性冲动的关系和艺术创作的技术方面来解释艺术方法的概念,然后将其与Longinus?我们对崇高的理解。在这两个对立面之间,艺术方法被视为依赖于诗意的冲动,而控制着创作过程的技术方面。因为它定义了它们的选择和使用方式,艺术方法赋予了构成艺术品制作的媒介和技术实践意义。另一方面,艺术方法源于诗意的冲动,必须与之相适应。在本文的第二部分,我将以我自己的艺术实践为例,说明艺术方法概念的这种提出的意义,作为它的起源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The apple doesn’t fall far: A word on artistic method
This essay represents an inquiry concerning the method in the arts; as such, it is intended for the affirmation of its significance. Firstly, the concept of artistic method will be explained in view of its relations with poetic impulse and the technical aspect of art creation, and then associated to Longinus?s understanding of the sublime. In between these two opposites, artistic method is seen as dependent from poetical impulse, while governing technical side of the creation process. Since it defines the manner of their selection and use, artistic method gives meaning to the medium and technical practices constituting the making of the artwork. On the other side, artistic method springs from the poetic impulse and has to be in accordance with it. Such proposed meaning of the concept of artistic method will be, in the second part of this essay, illustrated with examples of my own artistic practice, being its place of origin.
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