实验音乐作品“脏辫”的哲学意义

Gede Made, R. Pratama, Wayan Rai, Komang Sudirga
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引用次数: 0

摘要

创作这首实验音乐“Dreadlocks Hair”的目的是为了证明Rebab可以作为gending的主要乐器。实验音乐作品“Hairlocks Dreadlocks”采用了基于本土智慧的创作理论(Rai S., 2021),将人才作为作品的主要资本和身份。这个新的音乐作品的创作过程采用了基于地方智慧的创作理论,通过发展以下要素:(1)人才为主要资本,(2)创造力,(3)对地方智慧的理解,(4)工作概念,(5)作为祈祷奉献,(6)将工作形式可视化。创作这首脏辫音乐的过程是基于Rebab,即“电子Rebab”乐器。这首实验性音乐的创新之处在于由此产生的热巴布音域的突出。这首实验音乐的新颖之处在于,Rebab能够在一个乐器中同时产生3种声音颜色,即低、中、高。问题是:脏辫在一首新音乐中意味着什么?脏辫在一首新音乐中意味着什么?雷巴乐器的发展在实验音乐作品“脏辫”中成为主导乐器,这并不一定是从字面上解释的,而是被解释为非音乐的,或者是将雷巴乐器视为不同的创作者的人格化。在这种情况下,“头发”这个词被解释为类似于弦或弦和琴弦上的细弦的发声元素。同时,创作者用“脏辫”(Dreadlocks)这个词作为隐喻来描述作品中所包含的和谐的音乐肌理、音域(高、中、低)和节奏模式。实验音乐作品“脏辫”。包含了拆除既定标准,发展,保存和美化的意义,以道德信息来保存当地的智慧,使用beraya,脏辫美学作为隐喻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Philosophy Meaning Experimental Music Works “Dreadlocks”
The purpose of creating the experimental piece of music "Dreadlocks Hair" is to prove that the Rebab can be used as the main instrument in gending. The experimental musical work "Hairlocks Dreadlocks" was created using a creation theory based on local wisdom (Rai S., 2021), which focuses on talent as the principal capital and identity of the work. The process of creating this new musical work uses a creation theory based on local wisdom by developing elements of: (1) talent as the main capital, (2) creativity ability, (3) understanding of local wisdom, (4) concept of work, (5) as a prayer offerings, and (6) visualizing the form of the work. The process of creating this piece of Dreadlocks music is based on the Rebab, namely the "Electric Rebab" instrument. The new innovation in this experimental piece of music lies in the protrusion of the resulting Rebab sound register. The novelty of this experimental piece of music is that the Rebab is able to produce 3 (three) sound colors namely low, medium and high simultaneously in one instrument. The problem: What does Dreadlocks mean in a new piece of music?; What does Dreadlocks mean in a new piece of music? The development of the Rebab instrument which is actualized as the dominant instrument in the experimental musical work "Dreadlocks" is not necessarily interpreted literally, but is interpreted as extramusical or the personification of the creator who views the Rebab instrument as different. The word "hair", in this case, is interpreted as sound-forming elements similar to strings or strings and fine strings on a bowstring. Meanwhile, the creator uses the word "Dreadlocks" as a metaphor to describe the harmonious musical texture, voice register (high, medium, low) and rhythmic patterns contained in this work. Experimental musical piece “Dreadlocks”. contains the meaning of dismantling the established standard, development, preservation, and glorification with a moral message to preserve local wisdom using beraya, dreadlocks aesthetic as a metaphor.
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