YouTube内容商品化:对迪迪·柯布齐耶频道的批评性话语分析

Endah Saftarina Khairiyani
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引用次数: 1

摘要

YouTube通过向包括播客等文化产业产品在内的所有人提供制作空间,挑战媒体垄断。戴迪·柯布齐耶利用这个机会在YouTube上开了一个频道。一开始,戴迪在电视上批评“垃圾”广播,但后来他邀请了第纳尔·坎迪,并设法成为他制作过的最糟糕的视频。本研究从阿多诺对文化产业的批判观点出发,考察了迪迪·柯布齐耶(dy Corbuzier)与迪纳尔·坎迪(Dinar Candy)和西蒂·法迪拉·苏帕里(Siti Fadilah Supari)的YouTube内容的商品化。本研究采用多模态分析和批评话语分析。结果就是戴迪·科布齐耶(Deddy Corbuzier),他最初以批评内容的YouTube用户而闻名,并利用YouTube抵制媒体垄断。然而,他违背了自己的诚信,跟随资本主义的潮流,通过重复他在流行和不加批判的视频上的成功来创造盈利的内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
YouTube content commodification: a critical discourse analysis on Deddy Corbuzier’s channel
YouTube challenges the media monopoly by providing spaces for everyone to produce including the cultural industry products like podcasts. Deddy Corbuzier took advantage of this opportunity by opening a channel on YouTube. At first, Deddy criticised the ‘garbage’ broadcast on television, but then he invited Dinar Candy and managed to become a top view the worst video he has ever made. This study looks at the commodification of two Deddy Corbuzier’s YouTube content with Dinar Candy and Siti Fadilah Supari and sees it from Adorno’s critical point of view of the cultural industry. This research uses multimodality analysis and critical discourse analysis. The result is Deddy Corbuzier, who was first known as a YouTuber with critical content and used YouTube to resist media monopoly. However, he compromised his integrity, followed capitalism’s flow, and created content for profit by repeating his success for popular and uncritical videos.      
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