{"title":"法律服务和蟑螂革命","authors":"Stephen Schryer","doi":"10.11126/STANFORD/9781503603677.003.0004","DOIUrl":null,"url":null,"abstract":"This chapter focuses on the Chicano writer and lawyer Oscar Zeta Acosta, whose novels, Autobiography of a Brown Buffalo and Revolt of the Cockroach People, chart his transformation into a radical lawyer for Los Angeles’s Brown Power Movement. Acosta began his career with Legal Services, a network of War on Poverty–funded Legal Aid offices. When he turned to movement activism, he radicalized Legal Services’ demand that lawyers use their expertise to challenge laws that work against the interest of their lower-class clients. This demand became central to Acosta’s version of process art. At the same time, Acosta’s work replicates gender biases that ran throughout the War on Poverty. His political turn entailed his rejection of welfare mothers as clients in favor of militant young men—a turn that paralleled the War on Poverty’s focus on male delinquents.","PeriodicalId":166106,"journal":{"name":"Maximum Feasible Participation","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Legal Services and the Cockroach Revolution\",\"authors\":\"Stephen Schryer\",\"doi\":\"10.11126/STANFORD/9781503603677.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter focuses on the Chicano writer and lawyer Oscar Zeta Acosta, whose novels, Autobiography of a Brown Buffalo and Revolt of the Cockroach People, chart his transformation into a radical lawyer for Los Angeles’s Brown Power Movement. Acosta began his career with Legal Services, a network of War on Poverty–funded Legal Aid offices. When he turned to movement activism, he radicalized Legal Services’ demand that lawyers use their expertise to challenge laws that work against the interest of their lower-class clients. This demand became central to Acosta’s version of process art. At the same time, Acosta’s work replicates gender biases that ran throughout the War on Poverty. His political turn entailed his rejection of welfare mothers as clients in favor of militant young men—a turn that paralleled the War on Poverty’s focus on male delinquents.\",\"PeriodicalId\":166106,\"journal\":{\"name\":\"Maximum Feasible Participation\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Maximum Feasible Participation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.11126/STANFORD/9781503603677.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Maximum Feasible Participation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.11126/STANFORD/9781503603677.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这一章主要关注奇卡诺作家兼律师奥斯卡·泽塔·阿科斯塔,他的小说《一只棕色水牛的自传》和《蟑螂人的反抗》描绘了他如何转变为洛杉矶棕色权力运动的激进律师。阿科斯塔的职业生涯始于法律服务,这是一个由“向贫困宣战”资助的法律援助办公室网络。当他转向运动激进主义时,他激进化了法律服务公司的要求,即律师利用他们的专业知识挑战不利于下层客户利益的法律。这一需求成为阿科斯塔的过程艺术版本的核心。与此同时,阿科斯塔的工作复制了贯穿于“向贫困宣战”的性别偏见。他在政治上的转变导致他拒绝把福利母亲作为客户,转而支持激进的年轻男性——这一转变与“向贫困宣战”(War on Poverty)对男性罪犯的关注相一致。
This chapter focuses on the Chicano writer and lawyer Oscar Zeta Acosta, whose novels, Autobiography of a Brown Buffalo and Revolt of the Cockroach People, chart his transformation into a radical lawyer for Los Angeles’s Brown Power Movement. Acosta began his career with Legal Services, a network of War on Poverty–funded Legal Aid offices. When he turned to movement activism, he radicalized Legal Services’ demand that lawyers use their expertise to challenge laws that work against the interest of their lower-class clients. This demand became central to Acosta’s version of process art. At the same time, Acosta’s work replicates gender biases that ran throughout the War on Poverty. His political turn entailed his rejection of welfare mothers as clients in favor of militant young men—a turn that paralleled the War on Poverty’s focus on male delinquents.