{"title":"“山水画”:将中国传统山水画重新诠释为录像绘画:动静影像、东西方传统的融合","authors":"Christin Bolewski","doi":"10.21606/nordes.2009.037","DOIUrl":null,"url":null,"abstract":"‘Shan-Shui-Hua’ is an artistic artefact. Proceeding from Chinese thought and aesthetics the traditional concept of landscape painting ‘Shan-Shui-Hua’ (mountain-water-painting) is recreated within the new genre of the video-painting; the main features of ‘Shan-Shui-Hua’ merges with Western moving image practice creating a crossover of Western and Asian aesthetics to explore form, and questions digital visualisation practice that aims to represent realistic space.","PeriodicalId":423180,"journal":{"name":"Nordes 2009: Engaging Artifacts","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2009-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"‘Shan-Shui-Hua’: Traditional Chinese Landscape Painting Reinterpreted as Video Painting: a Hybrid Between the Still and Moving Image, Between Eastern and Western Tradition\",\"authors\":\"Christin Bolewski\",\"doi\":\"10.21606/nordes.2009.037\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"‘Shan-Shui-Hua’ is an artistic artefact. Proceeding from Chinese thought and aesthetics the traditional concept of landscape painting ‘Shan-Shui-Hua’ (mountain-water-painting) is recreated within the new genre of the video-painting; the main features of ‘Shan-Shui-Hua’ merges with Western moving image practice creating a crossover of Western and Asian aesthetics to explore form, and questions digital visualisation practice that aims to represent realistic space.\",\"PeriodicalId\":423180,\"journal\":{\"name\":\"Nordes 2009: Engaging Artifacts\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2009-08-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nordes 2009: Engaging Artifacts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21606/nordes.2009.037\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nordes 2009: Engaging Artifacts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21606/nordes.2009.037","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
‘Shan-Shui-Hua’: Traditional Chinese Landscape Painting Reinterpreted as Video Painting: a Hybrid Between the Still and Moving Image, Between Eastern and Western Tradition
‘Shan-Shui-Hua’ is an artistic artefact. Proceeding from Chinese thought and aesthetics the traditional concept of landscape painting ‘Shan-Shui-Hua’ (mountain-water-painting) is recreated within the new genre of the video-painting; the main features of ‘Shan-Shui-Hua’ merges with Western moving image practice creating a crossover of Western and Asian aesthetics to explore form, and questions digital visualisation practice that aims to represent realistic space.
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