{"title":"金巷的史密森一家:蒙太奇中作为真实建构的事实的同时性","authors":"Iván Capdevila Castellanos, V. Pallarés","doi":"10.14198/I2.2013.1.05","DOIUrl":null,"url":null,"abstract":"The innovative use of the photomontage technique in the competition proposal for Golden Lane in 1952 by the Smithsons, as strategy of celebration of the ordinary within a physically and psychologically destroyed postwar London’s East End, will allow them to discover its inspirational source in reality “as found” and to turn it into a new architectural paradigm.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Los Smithsons en Golden Lane: la Simultaneidad de Hechos en el Fotomontaje como Construcción de lo Real\",\"authors\":\"Iván Capdevila Castellanos, V. Pallarés\",\"doi\":\"10.14198/I2.2013.1.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The innovative use of the photomontage technique in the competition proposal for Golden Lane in 1952 by the Smithsons, as strategy of celebration of the ordinary within a physically and psychologically destroyed postwar London’s East End, will allow them to discover its inspirational source in reality “as found” and to turn it into a new architectural paradigm.\",\"PeriodicalId\":298878,\"journal\":{\"name\":\"[i2]: Investigación e Innovación en Arquitectura y Territorio\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"[i2]: Investigación e Innovación en Arquitectura y Territorio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14198/I2.2013.1.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"[i2]: Investigación e Innovación en Arquitectura y Territorio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14198/I2.2013.1.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Los Smithsons en Golden Lane: la Simultaneidad de Hechos en el Fotomontaje como Construcción de lo Real
The innovative use of the photomontage technique in the competition proposal for Golden Lane in 1952 by the Smithsons, as strategy of celebration of the ordinary within a physically and psychologically destroyed postwar London’s East End, will allow them to discover its inspirational source in reality “as found” and to turn it into a new architectural paradigm.