金巷的史密森一家:蒙太奇中作为真实建构的事实的同时性

Iván Capdevila Castellanos, V. Pallarés
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引用次数: 1

摘要

1952年,Smithsons在黄金巷(Golden Lane)的竞赛方案中创新地使用了蒙太奇技术,作为战后伦敦东区(East End)在身体和心理上受到破坏的平凡的庆祝策略,将使他们能够在“发现”的现实中发现其灵感来源,并将其转变为一种新的建筑范式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Los Smithsons en Golden Lane: la Simultaneidad de Hechos en el Fotomontaje como Construcción de lo Real
The innovative use of the photomontage technique in the competition proposal for Golden Lane in 1952 by the Smithsons, as strategy of celebration of the ordinary within a physically and psychologically destroyed postwar London’s East End, will allow them to discover its inspirational source in reality “as found” and to turn it into a new architectural paradigm.
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