阿巴伊东部正面雕刻上发现的罗马艺术图案

A. Biyanwila
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引用次数: 0

摘要

古代艺术既不紧凑也不简洁。它不断地激发和被激发。古代斯里兰卡艺术并没有逃避这个事实。印度的影响,如安得拉邦、犍陀罗、马图拉、阿马拉瓦蒂在斯里兰卡艺术中的存在被广泛讨论。本文讨论了罗马艺术对东部瓦哈尔卡达/ frontispece /Aika或阿努拉得普拉邦Abhayagiriya frontispece发现的雕塑的影响。在Abhayagiriya发现的烛台、丘比特和狮鹫的罗马图案也由棘叶组成,这让我们想起了古罗马艺术。本文将对上述主题进行广泛的分析,并将上述每个主题与原始形式和图像进行比较,以显示罗马艺术传统的预期灵感。对艺术主题的分析将证明古代斯里兰卡和罗马之间很少讨论的文化交流的可能性。当斯里兰卡和罗马之间存在贸易和政治联系的历史证据支持这种存在时,这种存在是不能错过的。因此,本文将研究一个单独的案例,研究罗马对古代斯里兰卡艺术的影响,这足以表明,没有一种艺术形式是排他的,而是开放和鼓舞人心的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Roman Artistic Motifs Found on the Sculpture of Eastern Frontispiece of Abhay
Ancient art is neither compact nor concise. It inspires and is inspired incessantly. Ancient Sri Lankan Art does not escape this truth. The presence of Indian influences such as Andhra, Gandhara, Mathura, Amaravati in Sri Lankan art has been discussed extensively. This paper discusses the Roman artistic influences on sculpture found at Eastern Vahalkada/frontispiece/Aika or Frontispiece of Abhayagiriya, Anuradhapura. The Roman motifs of candelabrum, cupids and griffins found at Abhayagiriya which is also composed of Acanthus foliage reminds us of ancient Roman art. This paper will analyze the said motifs extensively and it will compare each of the above motifs with the original forms and iconography to show the intended inspiration from the Roman artistic tradition. The analysis of the artistic motifs would then prove a possibility of cultural exchange between Ancient Sri Lanka and Rome which have rarely been discussed. This presence could not be missed, when it is supported by the historical proof of the presence of trade and political links between Sri Lanka and Rome. Hence, this paper will be studying a single case that will study Roman influences in Ancient Sri Lankan art and it will suffice to show that no form of art is exclusive but open and inspirational.
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