布达佩斯戏剧产业的一位美国投资者

Gyӧngyi Heltai
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引用次数: 0

摘要

在两次世界大战之间的时期,一位美国戏剧和电影企业家对布达佩斯的私人戏剧部门产生了决定性的影响。本·布卢门撒尔(1883-1967)于1920-1926年经营Vígszínház(喜剧剧院),并于1920-1949年拥有其建筑。此外,布卢门撒尔在1922年至1926年间资助了Fővárosi Operettszínház(布达佩斯轻歌剧剧院)的运营。虽然从全球的角度来看,布卢门撒尔并不属于美国传奇戏剧或电影制作人的群体,但在匈牙利戏剧文化的背景下,他是匈牙利与美国文化关系中最有影响力的调解人。这项研究旨在拼凑布卢门撒尔个人和职业传记中未被发现的元素,并讨论如何从美国和匈牙利的角度评估他的活动。将特别强调美国和匈牙利的娱乐媒体:布鲁门撒尔对他的匈牙利剧院的采访,关于布鲁门撒尔在跨国制片人等级制度中的地位的文章,以及美国娱乐媒体Vígszínház的代表。目的是评估布卢门撒尔在布达佩斯的商业活动在他整个职业生涯中的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An American Investor in the Theatre Industry of Budapest
In the interwar period, an American theatre and film entrepreneur had a determinantimpact on the private theatre sector of Budapest. Ben Blumenthal (1883–1967) ran the Vígszínház(Comedy Theatre) in 1920–1926 and owned its building in 1920–1949. In addition, Blumenthalfinanced the operation of the Fővárosi Operettszínház (Budapest Operetta Theatre) in 1922–1926.Although from a global perspective, Blumenthal does not belong to the group of legendaryUS theatre or movie producers, in the context of Hungarian theatre culture, he was the mostinfluential mediator in Hungarian–American cultural relations. The study aims to piece together theundiscovered elements of Blumenthal’s personal and professional biography and to discuss how hisactivities were evaluated from the American and the Hungarian perspectives.Special emphasis will be given to the US and Hungarian entertainment press: Blumenthal’sinterviews on his Hungarian theatres, articles on Blumenthal’s position in the transnationalproducers’ hierarchy, and representation of the Vígszínház in the US entertainment press. The aim isto assess the significance of Blumenthal’s Budapest business activities within his entire career.
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