葡萄栽培景观:艺术自我表达的灵感

Olga Harea, Mariann Simon
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引用次数: 1

摘要

全球葡萄酒文化重估的趋势和葡萄栽培景观的重要性,导致了葡萄酒建筑的新时代,庆祝其与景观的关系;在一个新时代,考虑周到和“融入景观特征”或“适应现有景观”的理念是重中之重。我们研究的主要焦点是分析这种新趋势——“追求建筑与景观的融合”——在每种情况下是否有效。为了进行这项研究,我们选择了三个最近建成的卓越葡萄酒建筑的例子;这些庄园由著名企业家所有,由三位世界著名设计师设计,坐落在同样珍贵且受保护的葡萄栽培景观中。研究的目的是发现专业的、受到高度赞扬的建筑师如何面对这一挑战。他们是想让酒庄在景观中处于从属地位,还是想通过对比和标记来代表他们作为一个品牌的个人艺术风格?他们是把周围的葡萄栽培景观作为建筑概念的灵感还是作为背景?这些新酿酒厂是周围景观的一部分,还是与周围景观截然不同?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The viticultural landscape: An inspiration for artistic self-expression
Global trends in the revaluation of wine culture and the importance of viticultural landscapes have led to a new era of wine architecture which celebrates its relationship with the landscape; a new era where the philosophy of considerateness and ‘fit into the character of the landscape’ or “adaptation to the existing landscape” has top priority. The main focus of our research is to analyse if this new trend – “the quest for integration of architecture into the landscape” – is valid in each case. To perform this study, three recently built examples of remarkable wine architecture were selected; these are owned by prominent entrepreneurs and designed by three world-famous designers and located in the same, valuable and protected viticultural landscape. The research goal is to discover how the professional, highly commended architects faced this challenge. Did they intend to subordinate the wineries within the landscape or did they intend to make a contrast and mark the territory in order to represent their personal artistic style as a brand? Did they treat the surrounding viticultural landscape as inspiration for their architectural concepts or as a background? Are these new wineries a part of the surrounding landscape or are these distinct and separate objects from it?
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