生态音乐学在外语教育中的应用

T. Summer
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引用次数: 0

摘要

本文从外语教育的角度考察生态音乐学。作为一个相对较新的研究领域,生态音乐学通常可以被描述为一个跨学科的研究领域,专注于与环境,音乐和文化相关的主题。由于其跨学科的性质,它为外语教育提供了新的研究方向,主要是在生态教育学和全球教育领域。为了确定应用点,研究生态音乐学的学者所研究的各种主题焦点被确定并随后应用于外语教育。因此,重点是四个主要的生态音乐学出版物。对这些出版物的分析结果是一个应用于四个领域的外语教育的生态音乐学概念模型:1)音乐家,2)音乐文物,3)行动中的音乐,4)环境。鉴于目前缺乏对生态音乐学在外语教育中的潜力的研究,本文旨在填补这一研究空白。从外语教与学的角度探讨了生态音乐学融入理论思考的原因,并对其进行了概念化,以便于实际应用。通过基于四个生态音乐学领域的分类问题列表,着重分析生态歌曲的例子说明了概念模型如何在实践中应用,并作为教学活动的思想池。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Applying Ecomusicology to Foreign Language Education
This paper examines ecomusicology from the perspective of foreign language education. As a relatively new field of research, ecomusicology can generally be described as an interdisciplinary field of study focusing on topics related to the environment, music, and culture. Due to its interdisciplinary nature, it offers new research directions for foreign language education, mostly within the fields of eco-pedagogy and global education. To identify points of application, the variety of thematic foci examined by scholars investigating ecomusicology are identified and subsequently applied to foreign language education. The focus thereby is on four major ecomusicological publications. The outcome of the analysis of these publications is a conceptual model of ecomusicology applied to foreign language education on four domains: 1) musicians, 2) music artefacts, 3) music in action, and 4) the environment. Given the current lack of research into the potential of ecomusicology for foreign language education, this paper therefore aims to fill a research gap. Reasons for integrating theoretical considerations in ecomusicology are discussed from the perspective of foreign language teaching and learning and thus conceptualised for a practical application. An example that focuses on the analysis of eco-songs through a categorised list of questions based on the four ecomusicological domains illustrates how the conceptual model can be applied in practice and serve as a pool of ideas for teaching activities.
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