在瓜拉尼印刷的巴西历史和地理研究所的土著素描

Cássia de Souza Santos, Aline de Souza Santos
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引用次数: 0

摘要

本文旨在回顾19世纪Jose de Alencar在1857年写的《瓜拉尼》(巴西小说《瓜拉尼》)中出现的讨论。通过文献研究,它展示了巴西历史和地理研究所(IHGB)的土著项目与“alencarian”土著原型之间的密切关系。根据Guimaraes(1988)和Moreira(2010)的史学观察,可以理解的是,在第二王朝的主持下,IHGB的辩论划出了三个主要主题:1)土著在国家领土上的地位;2)葡萄牙帝国的合法性和遗产;3)通婚问题。因此,在Maingueneau的“interdiscourse”(2014)概念的支持下,本文提出了一项interdiscourse研究中的商数,其指导问题是史学对本土小说的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Um papel para os indígenas esboços do Instituto Histórico e Geográfico Brasileiro impressos em O Guarani
This article aims to revisit the 19th century discussions that are present in the work O Guarani (The Guarany, a Brazilian novel), written by Jose de Alencar, throughout the year 1857. Through a bibliographical research, it demonstrates the close relationship between the indigenous project of the Brazilian Historical and Geographical Institute (IHGB) and the “alencarian” indigenous archetypes. Based on historiographical observations by Guimaraes (1988) and Moreira (2010), it is understood that the IHGB debates, under the auspices of the Second Reign, marked out three main topics: 1) the place of the indigenous in the national territory; 2) the legitimation of the Portuguese Empire and legacy; and 3) the issue of miscegenation. Supported by Maingueneau’s concept of “interdiscursivity” (2014), thus, here it is presented quotients from an interdiscursive study, whose guiding question is the influence of historiography in an indigenous novel.
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