文学中的本体论

Levent Bilgi
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引用次数: 0

摘要

自亚里士多德以来,本体论以未命名的思想发展。罗曼·因加登在他的艺术作品中谈到了存在的层次。本体论在诗歌文本分析中显得尤为突出。本体论的工作原理是在分析文本时不注意文本外的因素。它关注文本本身。它试图理解文学文本的层次。土耳其文学的本体论以Takyettin Mengüşoğlu和İsmail的作品《艺术本体论》走在了前列。İsmail图纳尔基的作品《艺术本体论》已经出版。《艺术本体论》出版后,关于本体论的出版物增多了。后来,本体论逐渐成为我国文学评价艺术作品的标准之一。关键词:本体论,理论,艺术,作品,批评
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ONTOLOGICAL THEORY IN LITERATURE
Ontological theory has developed with unnamed ideas since Aristotle. Roman Ingarden talked about the layers of being in his works of art. Ontology has come to the fore especially when analyzing the texts of poetry. Ontological theory works by not paying attention to extra-textual elements in the analysis of a text. It focuses on the text itself. It tries to understand the layers of literary text. Ontological Theory in Turkish Literature came to the forefront with Takyettin Mengüşoğlu and İsmail Tunalı's work called Art Ontology. İsmail Tunalı's work named Art Ontology has been published. After the publication of Art Ontology, it is seen that the publications on ontology have increased. Later, Ontological Theory gradually became one of the criteria for evaluating the work of art in our literature. Key words: Ontology, Theory, Art, Work, Criticism.
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