音乐技术的收敛性分析:从音频数字水印到去噪算法

Liu Zhan
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引用次数: 0

摘要

在兼顾安全性和性能的前提下对音乐(或音频)信号进行高效处理一直是近年来的研究热点。本文对音乐技术从音频数字水印到去噪算法的收敛性进行了分析。传统的音乐信息处理方法多侧重于单一的处理角度,即分别提高信号质量或保证信号安全。缺乏全面的分析工具。为此,本文首先提出了一种考虑QR分解和DWT的音频数字水印算法来构建高效场景。然后,研究了一种新的去噪算法。硬阈值处理后的重构信号存在不连续、振荡和失真等缺点。然后,将小波分析模型应用到算法中,寻找最优阈值。在完成这两项重大创新后,对整个系统进行了构建和实验实施。立体调制器标定方法的实验数据是科学的,整体实验具有一定的鲁棒性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Convergence Analysis of Music Technology: From Audio Digital Watermarking to Denoising Algorithm
In the recent time, the efficient processing of music (or audio) signal considering the safety and performance has been the research hotspot. This study performs a convergence analysis of music technology from the audio digital watermarking to the denoising algorithm. Traditional music information processing methods are more focused on a single processing perspective, that is, improve the signal quality or signal security guarantee, respectively. The comprehensive tool for the analysis is lacking. Hence, this paper firstly proposes a novel audio digital watermarking algorithm considering the QR decomposition and DWT to construct the efficient scenario. Then, the novel denoising algorithm is studied. The reconstructed signal after hard threshold processing has disadvantages such as the discontinuity, oscillation and distortion. Then, the wavelet analysis model is applied into the algorithm to find the optimal value of threshold. After these 2 major innovations, the whole system is then constructed and implemented with experiment. The experimental data of the stereo modulator calibration method is scientific, and the overall experiment has certain robustness.
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