{"title":"威尼斯耶稣会的建筑综合体","authors":"Fulvio Lenzo","doi":"10.36253/978-88-5518-228-7.18","DOIUrl":null,"url":null,"abstract":"This paper aims at explaining exactly how the Jesuati slowly appropriated the Holy Name for themselves, visually incorporating it in their artistic creations. Through an exploration of the uses and practices of the supporters the cult of the Name of Jesus, such as Bernardino of Siena, and the similarly named Jesuiti, a more nuanced understanding of the Jesuati's own reception emerges.","PeriodicalId":355881,"journal":{"name":"Le vestigia dei gesuati","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Il complesso architettonico dei gesuati a Venezia\",\"authors\":\"Fulvio Lenzo\",\"doi\":\"10.36253/978-88-5518-228-7.18\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper aims at explaining exactly how the Jesuati slowly appropriated the Holy Name for themselves, visually incorporating it in their artistic creations. Through an exploration of the uses and practices of the supporters the cult of the Name of Jesus, such as Bernardino of Siena, and the similarly named Jesuiti, a more nuanced understanding of the Jesuati's own reception emerges.\",\"PeriodicalId\":355881,\"journal\":{\"name\":\"Le vestigia dei gesuati\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Le vestigia dei gesuati\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36253/978-88-5518-228-7.18\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Le vestigia dei gesuati","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36253/978-88-5518-228-7.18","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This paper aims at explaining exactly how the Jesuati slowly appropriated the Holy Name for themselves, visually incorporating it in their artistic creations. Through an exploration of the uses and practices of the supporters the cult of the Name of Jesus, such as Bernardino of Siena, and the similarly named Jesuiti, a more nuanced understanding of the Jesuati's own reception emerges.
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