歌剧中“阿尔茨海默氏症”的人性化:《草莓地》中还原主义和以人为中心的主题之间的平衡

D. George, Susan E. Williams, Dean Southern
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引用次数: 1

摘要

阿尔茨海默病在最近的电影、文学、戏剧和视觉艺术中已经成为一个重要的主题,但在音乐界却没有成为一个重要的话题。《草莓地》是一部独一幕歌剧,讲述了一个患有轻度痴呆症的女人走进中央公园的约翰·列侬纪念馆,期待看到威尔第的歌剧。这部歌剧对大脑衰老的简化主义方法提出了令人惊讶的强烈批评,同时也探索了以人为本运动的核心主题。本文将还原论和以人为中心的痴呆症护理之间长达数十年的争论置于背景下,并探讨歌剧如何平衡这两个运动的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Humanizing “Alzheimer's” at the Opera: The Balance between Reductionist and Person-Centered Themes in Strawberry Fields
Alzheimer's disease has emerged as a major theme in recent motion pictures, literature, theater, and visual arts, but has not been a topic of significant import in the music world. Strawberry Fields, a one-act opera about a woman with mild dementia who wanders into the John Lennon memorial in Central Park expecting to see a Verdi opera, offers a surprisingly strong critique of reductionist approaches to brain aging, while also exploring themes central to the person-centered movement. This article contextualizes the decades-old debate between reductionism and person-centered dementia care, and explores how the opera balances elements of both movements.
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