把哥特风格作为营销工具

Anda Dimitriu
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引用次数: 0

摘要

在竞争激烈的当代儿童玩具世界中,有一种娃娃在近十年前已经上升到顶峰,并通过其受欢迎程度重新定义了现代娃娃的形象。美泰的Monster High系列从各个角度来看都是成功的,但最有趣的方面可能是,像哥特这样难以捉摸的异类概念在这些玩具的营销计划中所扮演的角色。传统上与恐惧和恐怖联系在一起的哥特式经历了范式转变,分裂成各种不同的,如果不是矛盾的形式,允许怪物的概念被monster High的创造者重新解释。因此,本章将首先关注当代哥特式的理论前提作为营销策略的一部分,然后将其应用于Monster High娃娃的营销活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Using the Gothic as a Marketing Tool
In the highly competitive contemporary world of children's toys, one type of doll has risen to the top almost a decade ago and has redefined through its popularity, the very image of modern dolls. Mattel's Monster High collection represents a success from various points of view, but what constitutes perhaps the most interesting aspect to be analyzed is the role which a concept as elusive and heterogeneous as the Gothic has played in the marketing scheme of these toys. Traditionally associated with fear and horror, the Gothic has undergone a paradigm shift and splintered in various distinct, if not contradictory forms, allowing the concept of the monster to be reinterpreted by the creators of Monster High. Thus, this chapter will first focus on the theoretical premises of the contemporary Gothic as part of a marketing strategy and then it will apply it on the marketing campaign of Monster High dolls.
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