《百年孤独》的配乐

Marcelo Pessoa
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引用次数: 0

摘要

这项工作探讨了将编年史歌曲的概念应用于小说基底的可能性,称为《百年孤独》(MÁRQUEZ, 1967)。文本的目的集中在两个方面:一,让读者更流畅地接触到在硕士(2003年)和博士(2010年)课程中更长时间和更密集地发展的概念。另一方面,提出了一种将“编年史歌曲”概念应用于“小说”类型的不同可能性,这是支持我们研究的主要书目贡献最初没有预见到的方法(PESSOA, 2013/2014/2020 a&b)。部分获得的结果是,该应用程序是可行的,然而,并不完全是在文本类型(如纸张)中,因为该模型的简洁性要求省略和断裂,这对澄清概念本身的适用性贡献不大。然而,尽管如此,该建议仍然有效,因为根据我们在这里提出的建议,有可能利用“宋代编年史”的新应用作品,例如我们已经在博尔赫斯(2015)和罗查(2018)中发现的作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
UMA TRILHA SONORA PARA A OBRA CEM ANOS DE SOLIDÃO
The work examines the possibility of applying the concept of chronicle-song to a novelistic substrate, called One Hundred Years of Solitude (MÁRQUEZ, 1967). The purpose of the text focuses on two aspects: one, to give the reader more fluid access to a concept that was longer and more densely developed during the master's (2003) and doctoral (2010) course. Another, to present a different possibility of applying the concept 'chronicle-song' to the genre 'novel', an approach not initially foreseen in the main bibliographic contributions that support our research (PESSOA, 2013/2014/2020 a&b). The partially obtained result is that the application is feasible, however, not exactly in a textual type such as paper, due to the fact that the brevity of this model requires omissions and ruptures that contribute little to clarifying the applicability of the concept itself. However, despite this, the proposal remains valid, since, based on what we propose here, it will be possible to leverage new works of application of the 'song-chronicle', such as we have already found in Borges (2015), and Rocha (2018).
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