{"title":"“恐惧”和“陵墓的角落”","authors":"Rolando Arco","doi":"10.26824/lalr.246","DOIUrl":null,"url":null,"abstract":"In \"Miedo\", the first of the two stories, a young engineer flees an imminent arrest during the Stalin purges in 1937 and assumes the identity of a stranger, which lands him in the Siberian taiga, in the unfamiliar role of a hunter. \"La esquina del mausoleo\" is a meditation on the visual nature of memory, exile and nostalgia \"La esquina del mausoleo\" is a meditation on the visual nature of memory, exile and nostalgia","PeriodicalId":333470,"journal":{"name":"Latin American Literary Review","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Miedo\\\" and \\\"La esquina del mausoleo\\\"\",\"authors\":\"Rolando Arco\",\"doi\":\"10.26824/lalr.246\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In \\\"Miedo\\\", the first of the two stories, a young engineer flees an imminent arrest during the Stalin purges in 1937 and assumes the identity of a stranger, which lands him in the Siberian taiga, in the unfamiliar role of a hunter. \\\"La esquina del mausoleo\\\" is a meditation on the visual nature of memory, exile and nostalgia \\\"La esquina del mausoleo\\\" is a meditation on the visual nature of memory, exile and nostalgia\",\"PeriodicalId\":333470,\"journal\":{\"name\":\"Latin American Literary Review\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Latin American Literary Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26824/lalr.246\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Latin American Literary Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26824/lalr.246","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在这两个故事的第一个故事《米多》中,1937年斯大林大清洗期间,一名年轻的工程师逃离了迫在眉睫的逮捕,并以陌生人的身份进入了西伯利亚针叶林,扮演了一个陌生的猎人角色。《La esquina del mausoleo》是对记忆、流放和怀旧的视觉本质的思考《La esquina del mausoleo》是对记忆、流放和怀旧的视觉本质的思考
In "Miedo", the first of the two stories, a young engineer flees an imminent arrest during the Stalin purges in 1937 and assumes the identity of a stranger, which lands him in the Siberian taiga, in the unfamiliar role of a hunter. "La esquina del mausoleo" is a meditation on the visual nature of memory, exile and nostalgia "La esquina del mausoleo" is a meditation on the visual nature of memory, exile and nostalgia