超越人体工程学:产品设计中的人体视觉

Rui Dias a, Leonor Ferrão b
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引用次数: 0

摘要

人体,作为项目的来源,也是它的收件人(即,作为出发和到达的地方),已经以各种方式被理解。按照一种可能的思路,身体一直是——并将继续是——一个计量的、几何的、数学的、解剖的、生理的、生物力学的、仿生学的、心理的、感觉的和社会的地方。产品与人体有着明确的联系:它们是为人体的使用和享受而设计的,它们是对人体的补充或完善,它们有助于与物质世界建立联系,它们有助于参与社会和文化,它们将身体加入其活动范围。在本文中,我们将修改设计理论和批评文献中的身体愿景,但也使用哲学,人类学和身体社会学中的文献,即与身体的文化和社会考虑相关的文献,这些文献在产品设计实践中很少被考虑,而我们认为这是必不可少的。然后,我们打算呈现和讨论一个对产品设计师有用的多重(可塑)身体模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond Ergonomics: Visions of the Body in Product Design
The human body, as the source for the project but also its addressee (that is, as the place of departure and arrival), has been understood in a variety of ways. Following one possible line of thought, the body has been – and continues to be – a metric, geometric-mathematical, anatomical, physiological, biomechanical, bionic, psychic, sensory and social place. Products have clear links to the human body: they are designed for its use and enjoyment, they complement or complete it, they help create ties with the physical world, they aid its social and cultural participation, and they join the body in its sphere of action. In this article, we will revise visions of the body in Design Theory and Criticism literature, but also using literature in Philosophy, Anthropology and Sociology of the Body, that is, literature relating to cultural and social considerations of the body that are less often considered in the practice of Product Design and which we believe to be essential. We intend, then, to present and discuss a multiple (malleable) model of the body to be useful for product designers.
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