“美国工厂”和记录新自由主义的困难

P. Hitchcock
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引用次数: 1

摘要

Steven Bognar和Julia Reichert的纪录片《美国工厂》由Netflix购买,由巴拉克和米歇尔·奥巴马的高地制作公司发行,在2020年第92届奥斯卡金像奖上获得了最佳纪录片奖。这是一部震撼人心、令人心酸的电影,讲述了一家中国公司如何在俄亥俄州的莫雷恩(Moraine)建立一家汽车玻璃工厂,而这里曾是通用汽车(GM)的一家生产厂。鉴于《美国工厂》在评论性上的成功,本文关注的是纪录片形式捕捉社会经济和地缘政治矛盾的具体逻辑的当代能力。这是通过新自由主义的标题来探索的,特别是当它使如何讲述一个工厂的故事变得复杂时。它还将记录工人的风格与更长的电影史联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“American Factory” and the Difficulties of Documenting Neoliberalism
Steven Bognar and Julia Reichert’s documentary American Factory, a project purchased by Netflix and distributed by Barack and Michelle Obama’s Higher Ground Productions, won the Oscar for Best Documentary Feature at the 92nd Academy Awards in 2020. It is a stunning and poignant movie about how a Chinese company comes to establish an auto glass factory in Moraine, Ohio, on the site of a former GM production plant. In light of American Factory’s critical success, this essay focuses on the contemporary capacity of the documentary form to capture the specific logic of socioeconomic and geopolitical contradictions. This is explored through the rubric of neoliberalism, especially as it complicates how a story of a factory might be told. It also links the style of documenting workers to a longer cinematic history.
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