Raza Islamica:监狱,嘻哈和转换皈依者

SpearIt
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引用次数: 5

摘要

监狱、嘻哈音乐和伊斯兰教之间的关系是一个复杂的问题。然而,当仔细研究时,模式开始显现,并且主要是,大量非裔美国人和越来越多的拉丁美洲人如何进入主流伊斯兰教。旅程是一个熟悉的脚本:它开始于一个边际,种族主义者常常理解转换成通用的“伊斯兰教”,色盲的概念,体现了许多引人注目的穆斯林的生活,最重要的是马尔科姆x这个色盲的世界观就是Raza Islamica出生,一个世界,伊斯兰教是身份的关键因素——没有什么比共享重要信仰真主和他的先知穆罕默德——即使是一个人的肤色。下面这篇文章将对这种“双重皈依”进行理论化,即皈依者放弃边缘皈依主流,但他们从未放弃伊斯兰教。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Raza Islamica: Prisons, Hip Hop & Converting Converts
The interface of prisons, hip hop music, and Islam is a complicated subject. However, when closely examined, patterns begin to emerge, and predominantly, how scores of African Americans, and growingly Latinos arrive at mainstream Islam. The journey is a familiar script: It begins with a marginal, often racialist understanding of “Islam” that transforms into a universal, colorblind conception of it, as exemplified in the lives of many high-profile Muslims, most significantly Malcolm X. This colorblind vision of the world is where the Raza Islamica is born, a world where Islam is the key ingredient of identity — nothing matters more than the shared belief in Allah and his prophet Muhammad — not even color of one’s skin. The following article theorizes this “double conversion,” whereby converts abandon the marginal for the mainstream, but they never abandon Islam.
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