音乐与机构广告

Rika Asai
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引用次数: 0

摘要

本章以1946-1947年的《纽约回声》为例,探讨了广播黄金时代美国的音乐和广告。作为一个由纽约电力公司联合爱迪生公司赞助的广播综艺节目,回声是机构广告的一个例子,这种广告形式旨在塑造公众对公司的看法,而不是销售特定的产品。该公司将这项重要任务委托给了其长期合作的广告公司麦肯-埃里克森。利用剧本、乐谱、备忘录和财务文件,本章考虑了广播娱乐的创作和节目格式的公式化结构的延续,以及麦肯-埃里克森在一个典型的工作周中的音乐活动的逐渐精简。这一章强调了联合爱迪生公司的全男性合唱团“爱迪生人”的作用,他们在身体和听觉上都体现了回声公司想要传达的信息。在关注机构广告制作音乐的工作时,本章有助于阐明广告代理商在推动广播时代节目形式和内容方面的基础地位的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music and Institutional Advertising
This chapter explores music and advertising in the United States during the golden age of radio using the 1946–1947 season of Echoes of New York as a case study. As a radio-variety program sponsored by New York electric utility Consolidated Edison, Echoes is an example of institutional advertising, a form of advertising designed to shape public perception of the company, rather than to sell specific products. The company entrusted the important task to its long-time advertising agency, McCann-Erickson. Drawing on scripts, scores, memos, and financial documentation, this chapter considers broadcast entertainment’s creation and perpetuation of formulaic construction in program format as well as the gradual streamlining of McCann-Erickson’s musical activities in a typical work week. The chapter highlights the role of Con Edison’s all-male company chorus, the Edisoneers, as a physical and aural representation of the message Echoes sought to impart. In focusing on the work of producing music for institutional advertising, this chapter contributes to studies that have illuminated the foundational position of advertising agencies in driving the form and content of programming during the radio era.
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