从一个时尚收藏的无形理念到一个无形的数字未来。Yannis Tseklenis花瓶造型连衣裙

N. Moyssi, Ropertos Georgiou, Avgoustinos Avgousti
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引用次数: 0

摘要

时尚被定义为一群人在特定的时间和地点所采用的不断变化的着装和外表风格;这也与市场经济有关。Roland gsamrard Barthes(1915-1980)指出,每年着装规范的变化意味着消费者每年都要学习新的着装规范,而在这个学习过程中,时尚杂志扮演着重要的角色。时尚杂志通过图像与文字的结合来完成这一角色。自1950年代以来,拥有过剩非熟练劳动力的发展中国家在吸引对生产廉价产品的工业单位的投资方面处于有利地位,因为工作时间的廉价劳动力成本使它们极具竞争力。拥有熟练劳动力的发达国家,只有在能够证明劳动力成本上升是合理的情况下,才能在需要专业知识和高科技基础设施的产品生产方面展开竞争。然而,这些国家别无选择,只能进口由希腊等劳动力更便宜的发展中国家生产的大量产品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From an Intangible Idea of a Fashion Collection to an Intangible Digital Future. A Yannis Tseklenis Vase Look Dress
Fashion is defined as changing styles in dress and appearance, adopted by a group of people in a specific place and time; it also relates to the market economy. Roland Gérard Barthes (1915–1980) noted that the annual change in dress code means that the consumer has a new code to learn from year to year, and in this process of learning, fashion magazines have an important role to play. Fashion magazines fulfil this role by combining image with text. Since the 1950s, developing countries with a surplus of unskilled labour were in an advantageous position to attract investments for industrial units that would produce cheap products, as the cheap labour cost of the work hour made them extremely competitive. Developed countries with skilled workforces could only compete with the production of items requiring know-how and high-tech infrastructure if they could justify higher labour costs. These countries, however, had no choice but to import mass-produced goods, produced in developing countries with cheaper labour, such as Greece.
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