空间录音与传输系统:现状、问题与展望

M. F. Davis
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引用次数: 0

摘要

当代模拟和数字信号处理技术已经被改进到能够在很少或没有可察觉的质量损失的情况下常规地传输单个音频通道的程度。原始反重放声场之间的最大差异通常与它们的空间特性有关。提高音频录制和传输系统的空间保真度需要理解潜在的定位机制,然后应用这种理解来发展特定的系统需求,并受到现实世界组件和实践的约束。空间音频系统可方便地分为三个功能模块:1。声场拾取,通过一个或多个麦克风和/或电子合成信号;2 .用于对网络源音频信号进行编码、传输(或记录/播放)和解码的装置;声场重建,通过扬声器或耳机,以及可能的相关处理。演示环境对系统配置有足够的影响,从而产生了几类空间音频系统,例如家庭、耳机和剧院系统。传统的家庭立体声是目前使用最普遍的空间音响系统。它声称将一个水平连续空间编码成一对音频通道,然后通过一个离散的双通道介质传输到一对扬声器。该系统依赖于幻像的心理声学现象;试图填补说话者之间的空白。相关技术,如“声波全息”或Q-Sound,试图扩展水平空间的范围,部分是通过使用耳间交叉抵消来扩展明显的再现图像,超出扬声器的弧线。立体声录音的麦克风拾音器安排变化很大,并且通常是录音制作人强烈的个人偏好问题。新开发的系统最好保留这个选项。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spatial Sound Recording and Transmission Systems: Status, Problems, and Prospects
Contemporary analog and digital signal processing techniques have 'been refined to the point of being able to routinely convey individual audio channels with little or no perceptible loss of quality. The greatest disparity between original anti reproduced soundfields usually involves their spatial characteristics. Improving the spatial fidelity of audio recording and transmission systems involves understanding the underlying localization mechanisms, then applying this understanding to evolve specific system requirements, subject to the constraints of real world components and practices. Spatial audio systems are conveniently dividable into three functional blocks: 1. soundfield pickup, via one or more microphones and/or electronically synthesized signals, 2. means for coding, transmission (or recording/playback), and decoding of the net source audio signals, and 3. soundfield reconstruction, via loudspeakers or headphones, and possible associated processing. The presentation environment exerts sufficient influence on system configuration to have spawned several classes of spatial audio systems, e.g. home, headphone, and theatre systems. Conventional home stereo is currently the most common spatial audio system in use. It purports to encode a horizontal continuum of space into a pair of audio channels, which are then conveyed via a discrete two channel medium to a pair of loudspeakers. This system relies on the psychoacoustic phenomenon of phantom images; to try to fill the space between the speakers. Related techniques, such as 'Sonic Holography' or Q-Sound, attempt to extend the range of horizontal space conveyed, in part by using interaural cross cancellation to extend the apparent reproduced image beyond the arc of the speakers. Microphone pickup arrangements for stereo recording vary widely, and are often a matter of strong individual preference on the part of recording producers. It is desirable for newly developed systems to retain this option.
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