德文斯基导师丹尼尔·米哈伊洛夫的圣歌中给阿瓦库姆大祭司的颂歌

Florentina V. Panchenko
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引用次数: 0

摘要

这篇文章致力于一个以前不为人知的赞美诗作品——阿瓦库姆大祭司的颂歌,他的圣歌是由丹尼尔·达维多维奇·米哈伊洛夫创作并以“钩子”符号记录的,他是20世纪30年代和40年代第一道格布尔斯老信徒社区的导师。这首圣歌的记录保存在拉特加尔斯科的收藏中(编号:no。39)位于圣彼得堡的俄罗斯科学院(Pushkinskij Dom)俄罗斯文学研究所的古代手稿库(Drevlekhranilishe)。它进入收藏的情况在波罗的海老信徒团体给Drevlikhranilishe的创始人Vladimir Malyshev的信中披露,Vladimir Malyshev正在寻找与大祭司Avvakum的记忆有关的一切。丹尼尔·米哈伊洛夫是20世纪最杰出的波罗的海老信徒之一,他是一位先行者、教育家和伊万·扎哈沃洛科的同事,也是一位杰出的歌手、古代扎纳门尼圣歌的鉴赏家和用“钩子”符号写的音乐手稿书籍的抄写员。米哈伊洛夫写了给阿瓦库姆大祭司的信,是在给帕维尔·科洛门斯基主教的信中写的。sticheron的吟唱是原创的,但它是基于某些类型的原型发现在旧俄罗斯传统。本文在18 - 20世纪的旧信徒的赞美诗活动的背景下考察了sticheron。这项研究还考虑了在圣彼得堡科学院图书馆的Chuvanov收藏中鲜为人知的《为主教Pavel Kolomensky服务》的插图副本(Chuvanov 177)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Sticheron to Archpriest Avvakum in the Chant by the Dvinsky Mentor Daniil Mikhailov
The article is devoted to a previously unknown work of hymnography — a sticheron to Archpriest Avvakum, whose chant was composed and recorded in “hooks” notation by Daniil Davydovich Mikhailov, mentor of the First Daugavpils Old Believer community in the 1930s and 1940s. The record of the chant is preserved in the Latgalskoe collection (no. 39) of the Ancient Manuscripts Repository (Drevlekhranilishe) at the Institute of Russian Literature of the Russian Academy of Sciences (Pushkinskij Dom) in St. Petersburg. The circumstances of its entry into the collection are disclosed in letters of the Baltic group of Old Believers to Vladimir Malyshev, the founder of the Drevlikhranilishe, who was searching for everything related to the memory of Archpriest Avvakum. Daniil Mikhailov, one of the most prominent Baltic Old Believers of the 20th century, a precentor, an educator and an associate of Ivan Zаvoloko, was also known as an outstanding singer, a connoisseur of the ancient ­Znamenny chant and a scribe of musical manuscript books written in “hooks” notation. Mikhailov composed the sticheron to Archpriest Avvakum on the text of the doxastikon from the aposticha of the 6th echos from the Service to Bishop Pavel Kolomensky. The chant of the sticheron is original, but nevertheless it is based on certain genre ­prototypes found in the Old Russian tradition. The article examines the sticheron in the context of the Old Belivers’ hymnographic activity in the 18th — 20th centuries. The study also takes into account the little-known illuminated copy of the Service to Bishop Pavel Kolomensky in the Chuvanov’s collection of the Library of the Academy of Sciences in St. Petersburg (Chuvanov 177).
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