利用印尼YouTube平台上的观众作为数字劳工

S. N. Febriyanti
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引用次数: 1

摘要

摘要在当今的数字时代,互联网以新媒体的形式出现,消除了生产和消费空间的界限。观众不再仅仅是消费者,他们还积极参与制作数字内容,并上传并与其他观众分享。YouTube作为观众消费最多的平台之一,推动了数字社会的文化变革。YouTube的观众不再像电视时代那样单纯地欣赏媒体制作的内容,而是观看其他YouTube观众制作的内容。YouTube的观众不再是消费者的角色,而是超越经济利益被剥削的数字劳工。本研究旨在确定印度尼西亚YouTube行业中观众作为数字劳工的角色。使用的研究方法是数字话语,这将有助于研究人员揭示文本背后的动机。研究结果表明,YouTube观众在资本所有者的积累中被剥削,因为他们生产文化的活动和对文化内容的关注产生了吸引广告商注意力的数据,从而为资本带来了利润。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE EXPLOITATION OF AUDIENCE AS DIGITAL LABOUR IN INDONESIAN YOUTUBE PLATFORM
Abstract. In today's digital era, the internet is present in new media and has eliminated the boundaries between production and consumption space. Audiences are no longer just consumers but also actively participate in producing digital content that is uploaded and shared with other audiences. YouTube as one of the most consumed platforms by the audience has driven cultural change in the digital society. YouTube audiences are no longer simply enjoying content produced by the media as in the era of Television but they are watching content produced by other YouTube audiences. The YouTube audience is no longer the role of consumers but also as digital labours who are exploited above economic interests. This study aims to determine the role of the audience as digital labours in the YouTube industry in Indonesia. The research method used is digital discourse which will help researchers to uncover the motivations behind a text. The research results show that the YouTube audience is exploited in the accumulation of capital owners because their activities in producing culture and their attention to cultural content that generates data to attract advertisers' attention have resulted in profits for capital.
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