{"title":"路易莎·梅·奥尔科特的《面具背后,还是女人的力量》:作为演员的女人,作为面具的女性气质","authors":"Karolina Korycka","doi":"10.7311/pjas.12/1/2018.07","DOIUrl":null,"url":null,"abstract":"This essay discusses the ways in which Louisa May Alcott?s 1866 novella “Behind a Mask, or a Woman?s Power” expresses the author’s frustration with her familial, social, and cultural reality. It explains the numerous feminist implications of the Gothic tale, in which Alcott, more or less directly, tackles the issue of female labor in post Civil War America, mocks the basic assumptions of the sentimental revolution and challenges contemporary notions regarding femininity.","PeriodicalId":384144,"journal":{"name":"Polish Journal for American Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Louisa May Alcott’s “Behind a Mask, or a Woman’s Power”: The Woman as an Actress, Femininity as a Mask\",\"authors\":\"Karolina Korycka\",\"doi\":\"10.7311/pjas.12/1/2018.07\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay discusses the ways in which Louisa May Alcott?s 1866 novella “Behind a Mask, or a Woman?s Power” expresses the author’s frustration with her familial, social, and cultural reality. It explains the numerous feminist implications of the Gothic tale, in which Alcott, more or less directly, tackles the issue of female labor in post Civil War America, mocks the basic assumptions of the sentimental revolution and challenges contemporary notions regarding femininity.\",\"PeriodicalId\":384144,\"journal\":{\"name\":\"Polish Journal for American Studies\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Polish Journal for American Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7311/pjas.12/1/2018.07\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Polish Journal for American Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7311/pjas.12/1/2018.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Louisa May Alcott’s “Behind a Mask, or a Woman’s Power”: The Woman as an Actress, Femininity as a Mask
This essay discusses the ways in which Louisa May Alcott?s 1866 novella “Behind a Mask, or a Woman?s Power” expresses the author’s frustration with her familial, social, and cultural reality. It explains the numerous feminist implications of the Gothic tale, in which Alcott, more or less directly, tackles the issue of female labor in post Civil War America, mocks the basic assumptions of the sentimental revolution and challenges contemporary notions regarding femininity.